AUCTION 333 – Photographs from important european collections

Cibachrome Plexiglas Silicone PrintCm 100 x 100From an edition of 3Signed on a labelOriginal provenance: The artist, Milano

Oil on canvasCm 120 x 150Framed (dark wood) size cm 125 x 155Signed on verso Original provenance: The artist, Torino

Vintage Digital Color Print Cm 120 x 215Edition 1/3 Signed on versoOriginal provenance: Galleria Continua, San Gimignano

Digital color print on cotton paperCm 50 x 60 (folio)Unique workFramed (white wood) cm 54x64 Signed on verso Original provenance: the artist, Milano

Fine art print on Canson Baryta Photographique Il Matt FCS certified paper, acid free, 100 % Alpha - CelluloseCm 50 x 62Titled, signed and dated on versoEdition 1/3Matt black lacquer frame, 70% true vue UV glass, cm 57,4 x 69,4 With a certificate of authenticity by Julia Bornefeld, BerlinOriginal provenance: the artist, Berlin

Vintage C-Print mounted on aluminiumCm 76 x 101 Signed on a labelFramed (black wood) size cm 88 x 113 Original provenance: Galerie Yvonamor Palix, Paris

Vintage C-Print mounted on aluminiumCm 95 x 76 Signed on a labelFramed (black wood) size cm 88 x 108 Original provenance: Galerie Yvonamor Palix, Paris

Oil on canvasCm 40 x 40Framed (dark wood) size cm 45 x 45Signed on verso Original provenance: Le case d’arte, Milano

Gelatin silver print, flush mounted on boardCm 48,3 x 48,3 Original provenance: Purchased at Pillips de Pury & Company, New YorkLynn Davis highlights her ability to transform the landscape into an almost mystical experience. The quote "The world does not look like my pictures" suggests a distance between reality and its artistic interpretation, as if her images were a sort of visual meditation rather than simple documentationThe influence of Berenice Abbott is probably reflected in the compositional precision and attention to light, but Davis develops a personal language that transcends simple representation, leading to a reflection on the grandeur of nature and the role of man in front of it. The use of black and white helps to create a sense of timelessness and abstraction, distancing her images from reportage and bringing them closer to a contemplative and symbolic dimension

Gelatin Silver print Cm 45 x 40Edition 20/25Framed (black wood with plexi) size cm 73x63Signed on versoOriginal provenance: PDNB Gallery, Dallas USA

Black and white gelatine silver print Cm 19 x 19Signed and dated bottom right, numbered bottom left on the frontN. 42/45Original provenance: The Ralls Collection, Washington, D.C.

Black and white gelatine silver printCm 19 x 19Signed and dated bottom right, numbered bottom left on the frontN. 42/45Original provenance: The Ralls Collection, Washington, D.C.

Black and white gelatine silver printCm 19 x 19N. 9/45Original provenance: Galleria Colnaghi London

Black and white gelatine silver printCm 19 x 20,3Signed and dated bottom right, numbered bottom left on the frontN. 6/45Original provenance: The Ralls Collection, Washington, D.C.

Black and white gelatine silver printCm 19 x 19Signed and dated bottom right, numbered bottom left on the frontN. 31/45Original provenance: The Ralls Collection, Washington, D.C.

Black and white gelatine silver printCm 19 x 19N. 9/45Original provenance: Galleria Colnaghi London

Lambda print on d-bondCm 120 x 140

Full-color print mounted onto forex panelCm 60x60 cm Limited Edition of 7Certified, signed, and numbered limited editionOriginal provenance: Acquired directly from the artistCharlie Davoli's work blends surrealism with digital manipulation, creating thought-provoking compositions that challenge logic and perception. His practice draws inspiration from philosophy, contemporary culture, and the absurdity of modern life, often combining everyday elements with unexpected juxtapositions. This piece reflects his signature approach—merging irony with conceptual depth to engage viewers in a playful yet critical dialogue. This limited edition print is certified, signed, and numbered by the artist, and comes with a certificate of authenticity.

(Quadriptych), 4 Giclée prints. Work in 4 parts (sequence)Each cm 50 x 40Each signed on recto Each Framed (black wood with plexi) size cm 52 x 42Original provenance: The artist, Denmark

Digital color print on D-bond Cm 100 x 94Edition 1/25 Signed on recto Original provenance: The artist, UK

Digital color print on D-bond Cm 103 x 77Edition 1/25 Signed on recto Original provenance: The artist , UK

Lambda print mounted on aluminiumCm 77 x 57Edition 1/3Framed (black thick wood) size cm 89 x 69 cm Signed and annotated on versoOriginal provenance: The artist, Milano

Printed on emulsioned canvas and wooden frameCm 61 x 76Framed (black wood) size cm 64 x 79 Unique workSigned and stamped on a label on versoOriginal provenance: the artist, Montville USA

(Polyptych), 5 Vintage gelatin silver prints, a work in 5 parts (sequence)Each cm 30 x 20Each signed and stamped by Adriano Bartoloni Framed (black wood with plexi) size cm 56 x 125Original provenance: The artist, Roma