ASTA 267 - GLITTICA

ASTA 267 - GLITTICA

Friday 7 July 2023 hours 12:30 (UTC +00:00)
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  • A ROMAN CARNELIAN INTAGLIO SET IN A MODERN GOLD RING. ATHENA.
    Lot 121

    A ROMAN CARNELIAN INTAGLIO SET IN A MODERN GOLD RING. ATHENA.

    2nd century A.D.

    Stone 13x15 mm; int. Size 18,5x19 mm; 8,96 gr.

    Athena standing between two semi-columns. With the right hand she holds the spear, with the left she rests the shield on a semi-column. The divinity is helmeted and tunicated, turned with the head to the right. Chips on the edge. Wear marks.

    Provenance: European collection, acquired on the market, early 2000's.

  • A ROMAN CARNELIAN INTAGLIO SET IN A MODERN GOLD SOLID RING. SATYR MAKING OFFERS TO PRIAPUS.
    Lot 122

    A ROMAN CARNELIAN INTAGLIO SET IN A MODERN GOLD SOLID RING. SATYR MAKING OFFERS TO PRIAPUS.

    1st century A.D.

    Stone 11x15 mm; int. Size 18x20 mm; 20,08 gr

    The scene shows the satyr seated on a rock and facing left. He is making offers to Priapus in the shape of an herm on a short column. Thyrsus. Groundline. Wear marks.

    Provenance: Formerly Galerie de Serres, Paris ;From a private collection, France, acquired on the art market in the early 2000s

  • A LOT OF 2 RINGS WITH ROMAN INTAGLIOS. DEITIES.
    Lot 123

    A LOT OF 2 RINGS WITH ROMAN INTAGLIOS. DEITIES.

    1st - 2nd century A.D.

    Stone 7x10 mm; 7x11 mm; Total weight 5,08 gr

    On the left, incised rounded hoop set with a jasper intaglio depicting a young naked characted standing right leaning on a column, behind an incense burner. On the right, a silver and gold fragmentary ring set with a nicolo intaglio showing a partially naked female character seen from behind in three-quarters and holding a stick. Wear marks.

    Provenance: U.K. private collection

  • A ROMAN CARNELIAN INTAGLIO SET IN A GOLD RING. HERCULES FIGHTING THE BULL.
    Lot 124

    A ROMAN CARNELIAN INTAGLIO SET IN A GOLD RING. HERCULES FIGHTING THE BULL.

    1st - 2nd century A.D.

    Stone 11x13 mm; int. diam 17,5 mm; 2,20 gr

    With a plain gold hoop surmounted by a rounded bezel set with a large intaglio showing the hero lifting the bull. The muscles tension is represented by a treatment of anatomical volumes and an athletic posture; the left leg brought forward is bent, while the right leg is extended towards the back. Behind his left foot, the club. Groundline. Chip on edge, wear marks.

    Provenance: U.K. private collection

  •  A FINE ROMAN CARNELIAN INTAGLIO SET IN A MODERN GOLD RING. JASON AND THE GOLDEN FLEECE.
    Lot 125

    A FINE ROMAN CARNELIAN INTAGLIO SET IN A MODERN GOLD RING. JASON AND THE GOLDEN FLEECE.

    Early 1st century A.D.

    Stone 16x21 mm; int. size 18x20 mm; 30,07 gr

    The oval stone slightly convex, engraved with Jason standing before the golden fleece which hangs in a tree before him. The hero is nude but with a mantle draped over his shoulder, holding a spear and a shield, its rim resting on his shoulder, and wearing a crested helmet, one hand raised before him in a gesture of contemplation, a serpent coiled in the tree, its head raised above the fleece, and a cylindrical altar for Zeus Laphystios in the center, upon which is the head of a ram, on a groundline. Slight wear marks. The stone is set in a later modern heavy collector gold ring.

    For the subject compare the carnelian gem in the Cabinet des Médailles, Paris, no. 318 in Richter, Engraved Gems of the Romans.

    Provenance: From a private collection, France. The stone come from a Christie's: 5/12/ 2001 sale 9826 (Ancient Jewelry, NY).

  • A ROMAN RED JASPER INTAGLIO SET IN A GOLD RING. HERCULES FIGHTING THE NEMEAN LION.
    Lot 126

    A ROMAN RED JASPER INTAGLIO SET IN A GOLD RING. HERCULES FIGHTING THE NEMEAN LION.

    2nd - 3rd century A.D.

    Stone 13x17 mm; int. diam 17 mm; 4,00 gr.

    The young hero fights against the Nemean lion, strangling it with his left arm. The ferocious animal opens its mouth wide in pain. Behind, the club. Groundline. Small missing on the edge. Wear marks.

    Provenance: U.K collection acquired on the art market

  • A ROMAN GOLD RING SET WITH A NICOLO INTAGLIO. HUNTER WITH RABBITS.
    Lot 127

    A ROMAN GOLD RING SET WITH A NICOLO INTAGLIO. HUNTER WITH RABBITS.

    3rd century A.D.

    Stone 13x15 mm; int. size 17x21 mm; 6,60 gr

    With large rounded hoop expanding in broader shoulders agremented of a central raised spin and flatten at the top, surmounted by an oval bezel set with a nicolo intaglio. The scene represents a young hunter walking left with his catch on a stick and in his left hand. At his feet, a dog. Groundline. Wear marks.

    Provenance: From a private collection, France, acquired from D.C. collection, London.

  • A ROMAN GOLD RING SET WITH A NICOLO INTAGLIO. NIKE.
    Lot 128

    A ROMAN GOLD RING SET WITH A NICOLO INTAGLIO. NIKE.

    3rd century A.D.

    Stone 6x9 mm; int. Size 15x21 mm; 14,80 gr

    Kindred type. Polygonal hoop, expanding upwards. The shoulders decorated with high incisions. The bezel is decorated with engraved volutes pattern. In the center is set an oval nicolo intaglio. A winged Victory facing right holding a laurel wreath on a dextrarum junctio. Slight wear marks. Deposits.

    Provenance: From a private collection, France, acquired on the art market in the early 2000s

  • A LARGE ROMAN SILVER RING ORNATED BY A GOLD FRAME WITH A RED JASPER INTAGLIO. OEDIPUS AND THE SPHINX.
    Lot 129

    A LARGE ROMAN SILVER RING ORNATED BY A GOLD FRAME WITH A RED JASPER INTAGLIO. OEDIPUS AND THE SPHINX.

    1st - 3rd century A.D.

    Intaglio 7 x 12 mm ; 20 grs; int diam 22 mm

    Large ring of oval form, deeply grooved on the outside. Around the oval bezel is a series of chiseled volutes. With dotted gold frame is set a fine red jasper intaglio.Oedipus with the weapons standing left in front of the Sphinx to resolve her enigmas. Wear marks.

    For a similar ring typology see: Marshall, F.H., Catalogue of Rings, n° 1440

    Provenance: From the collection of an European gentleman, acquired on the art market

  • A ROMAN GOLD RING SET WITH A CARNELIAN INTAGLIO. EROS MAKING OFFERS.
    Lot 130

    A ROMAN GOLD RING SET WITH A CARNELIAN INTAGLIO. EROS MAKING OFFERS.

    2nd - 3rd century A.D.

    Stone 8x10 mm; int. size 16x19 mm; 4,10 gr

    With rounded hoop, between the end is an oval box setting with an incised groove containing the carnelian intaglio: winged Eros making offers in a natural landscape. On either side of the hoop at each end are soldered large platted globules. Wear marks and missing material on the box-setting.

    For a similar typology see: F.H. Marshall, Finger Rings, n.461

    Provenance: From a private collection, France, acquired from D.C. collection, London.

  • A ROMAN GOLD RING FOR A CHILD WITH THE ENGRAVED BEZEL. HARPOCRATES.
    Lot 131

    A ROMAN GOLD RING FOR A CHILD WITH THE ENGRAVED BEZEL. HARPOCRATES.

    1st-2nd century A.D.

    int. Size 11 mm; 1,00 gr

    With flat hoop, broad and polygonal, the rectangular bezel with engraved design; standing Harpocrates, the head facing left, with the cornucopia in his right hand. Groundline. Wear marks.

    Provenance: From a private collection, France, acquired on the art market in the early 2000s

  • A LATE ROMAN GOLD PENDANT SET WITH A CARNELIAN INTAGLIO. SEATED PERSONIFICATION OF CONSTANTINOPLE.
    Lot 132

    A LATE ROMAN GOLD PENDANT SET WITH A CARNELIAN INTAGLIO. SEATED PERSONIFICATION OF CONSTANTINOPLE.

    4th century A.D.

    Stone 15x19 mm; 3,21 gr

    Composed of two gold sheets saldered, the suspension hook made of a separated gold sheet with three gold spherical beads. The intaglio depicts the personification of the city of Constantinople, enthroned, wearing helmet and holding scepter and globe, a shield lies at her side, a prow at her feet. Wear marks.

    For a similar iconography see: SPIER, J., Late Antique and Early Christian Gems, p. 21 n. 32.

    Provenance: U.K. private collection

  • A PAIR OF GOLD CUFFLINKS WITH TWO HARDSTONE INTAGLIO. FORTUNA TYCHE - PORTRAIT OF AN EMPEROR.
    Lot 133

    A PAIR OF GOLD CUFFLINKS WITH TWO HARDSTONE INTAGLIO. FORTUNA TYCHE - PORTRAIT OF AN EMPEROR.

    2nd century A.D. (carnelian) - 17th/18th century (bloodstone). Gold 19th century.

    Stone 11x15 mm; 13x15 mm; Mounting 20x22 mm; Total weight 8,11 gr

    A Roman period carnelian intaglio with Fortuna - Tyche holding rudder and cornucopia, with inscription; modern bloodstone intaglio with laureated bust of Emperor facing right. Both gems are mounted in archaeological revival style gold cufflinks, in an old box "Maison Briquet - 29 Place Vendome".

    Provenance: U.K private collection

  • A ROMAN GREEN CHALCEDONY INTAGLIO. NIKE.
    Lot 134

    A ROMAN GREEN CHALCEDONY INTAGLIO. NIKE.

    1st - 2nd century A.D.

    11x15x4 mm

    The winged and tunicated figure walks to the left, holding a palm frond, symbol of triumph. Slight wear marks.

    Provenance: U.K private collection

  • A ROMAN GREEN CHALCEDONY INTAGLIO. VOTIVE SCENE.
    Lot 135

    A ROMAN GREEN CHALCEDONY INTAGLIO. VOTIVE SCENE.

    1st-2nd century A.D.

    9x12x3 mm

    The female figure is seated in three-quarters on an altar, behind an oinochoe. She holds in a right hand probably a palm branch, in front of an herm. Groundline. The scene probably depicts a Muse. Beautiful colour of the stone and wear marks.

    Provenance: U.K. private collection

  • A ROMAN GREEN CHALCEDONY INTAGLIO. LEDA AND THE SWAN.
    Lot 136

    A ROMAN GREEN CHALCEDONY INTAGLIO. LEDA AND THE SWAN.

    1st - 2nd century A.D.

    8 x 11 x 3 mm

    Leda is embraced by the swan, metamorphosis of Zeus to seduce her. Groundline. Traces of the iron mounting on the back of the stone. Wear marks.

    Provenance: U.K collection acquired on the art market

  • A LARGE ROMAN GREEN CHALCEDONY INTAGLIO, THE THREE GRACES.
    Lot 137

    A LARGE ROMAN GREEN CHALCEDONY INTAGLIO, THE THREE GRACES.

    1st - 2nd century A.D.

    15x19x3 mm

    Beautiful ancient depiction of the Three Graces engraved on a large slightly burnt gemstone. On the back, a small chip. In the foreground, a female figure seen from behind turned slightly in three-quarters with her face in profile to the right. In the background, the other two figures: the one on the left holds ears of wheat and poppy flowers, the one on the right a globe; next to it, two small superimposed altars. Slight wear marks.

    Provenance: U.K private collection

  • A FINE ROMAN BLOODSTONE INTAGLIO. FAUSTULUS WITH THE SHEWOLF FEEDING ROMULUS AND REMUS.
    Lot 138

    A FINE ROMAN BLOODSTONE INTAGLIO. FAUSTULUS WITH THE SHEWOLF FEEDING ROMULUS AND REMUS.

    1st century A.D.

    12 x 14 x 1 mm

    The shepherd is standing with his stick. At his feet the shewolf with the twins Romulus and Remus. In the field, on the right, a tree. Groundline. Mirror polishing. Great subject engraved on a very attractive stone. Wear marks.

    Provenance: From the collection of an European gentleman, acquired on the art market

  • A ROMAN CHALCEDONY INTAGLIO. EROS AND PSYCHE.
    Lot 139

    A ROMAN CHALCEDONY INTAGLIO. EROS AND PSYCHE.

    2nd century A.D.

    9 x 10 x 2 mm

    The winged god is shown standing left with the butterfly at his feet. Groundline. Allegory of Love through the Metamorphosis. Wear marks.

    Provenance: From the collection of an European gentleman, acquired on the art market

  • A ROMAN ROCK CRYSTAL INTAGLIO. FEMALE FIGURE.
    Lot 140

    A ROMAN ROCK CRYSTAL INTAGLIO. FEMALE FIGURE.

    2nd - 3rd century A.D.

    7 x 9 x 2 mm

    The standing female figure is shown with the body turned left and the face turned right. Grounldine. Chip on the edge. Wear marks.

    Provenance: From the collection of an European gentleman, acquired on the art market

  • A ROMAN CHALCEDONY INTAGLIO. OFFERER WITH A TROPHY.
    Lot 141

    A ROMAN CHALCEDONY INTAGLIO. OFFERER WITH A TROPHY.

    2nd century A.D.

    10 x 13 x 5 mm

    Standing with the body slightly in three-quarters pose and the face facing right, her right hand holds offers. Meanwhile her left hand is holding a military trophy. Votive stone. Groundline.

    Provenance: U.K collection acquired on the art market

  • A LARGE ROMAN CHALCEDONY INTAGLIO. ALLEGORICAL SEA SCENE WITH EROS AND A DOLPHIN.
    Lot 142

    A LARGE ROMAN CHALCEDONY INTAGLIO. ALLEGORICAL SEA SCENE WITH EROS AND A DOLPHIN.

    2nd - 3rd century A.D.

    17 x 20 x 3,5 mm.

    In the foreground, an Eros swims alongside a dolphin; in the background a ship (of which the main mast with sails can be seen). Allegorical composition referring to Love and the uncertainties of sea trips. Beautiful milky bluish color, like sea water. Large size. Wear marks.

    Provenance: From the collection of an European gentleman, acquired on the art market

  • A ROMAN AMETHYST INTAGLIO. SEATED MALE FIGURE.
    Lot 143

    A ROMAN AMETHYST INTAGLIO. SEATED MALE FIGURE.

    2nd century A.D.

    9 x 11 x 5 mm

    A young man seated, naked on rocks. With his right hand he holds a stick. Probably Hermes. Groundline. Wear marks. Nice color of the stone.

    Provenance: From the collection of an European gentleman, acquired on the art market

  • A FINE ROMAN AMETHYST INTAGLIO. SEATED HERMES WITH ATTRIBUTES.
    Lot 144

    A FINE ROMAN AMETHYST INTAGLIO. SEATED HERMES WITH ATTRIBUTES.

    1st - 2nd century A.D.

    10 x 12 x 3 mm

    The young naked god is seated right on rocks, his left leg bent and his right foot on rocks, he holds the caduceus in his left hand. Groundline. Very fine details and attractive color of the stone. Wear marks.

    Provenance: U.K collection acquired on the art market

Lots from 121 to 144 of 471
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ASTA 267 - GLITTICA


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  • 7 July 2023 hours 12:30 ASTA 267 - GLITTICA (1 - 471)

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INFORMAZIONI SULL’ASTA 267


1.     Modalità di partecipazione 

L’asta sarà battuta il 7 luglio 2023 a partire dalle ore 12:30 BST (13:30 CEST) al seguente indirizzo: 

13 Hanover Square, Mayfair

London W1S 1HN


Sono previste le seguenti modalità di partecipazione: di persona presso i locali in cui l’asta sarà battuta, telefonica, online previa registrazione sul nostro sito www.bertolamifineart.com o sui portali partner (vedi elenco sotto riportato), tramite offerta scritta fatta pervenire entro le 9:00 BST (10:00 CEST) di venerdì 7 luglio.

a.     Partecipazione in sala

I clienti non conosciuti e che non si fossero già registrati dovranno essere provvisti di un valido documento di identità.

b.    Partecipazione telefonica 

É possibile fare le proprie offerte durante l’asta tramite telefono guidati da un nostro operatore. Per accedere a questa modalità di partecipazione sarà necessario prenotarsi entro le 9:00 BST (10:00 CEST) di venerdì 7 luglio specificando i lotti per i quali si intende entrare in gara e un recapito telefonico. I clienti così prenotati saranno chiamati al numero di telefono da loro indicato alcuni lotti prima di quelli per cui avranno manifestato interesse

La prenotazione per la partecipazione telefonica ha il valore di un’offerta scritta alla base d’asta indicata in catalogo.  

Per prenotare la partecipazione telefonica compilare l’apposito modulo di offerta 

(Per info:  

+39 32609795 info@bertolamifineart.com - amministrazione@bertolamifineart.com) 


c.     Partecipazione online attraverso il nostro sito o i portali partner 

È possibile fare le proprie offerte durante l’asta registrandosi sul nostro sito www.bertolamifineart.com oppure sui seguenti portali partner:

Arsvalue (www.arsvalue.com)

Biddr (www.biddr.com)

Drouot (www.drouot.com)

Emax.bid (www.emax.bid.com)

Invaluable (www.invaluable.com)

LiveAuctioneers (www.liveauctioneers.com)

Sixbid (www.sixbid.com)

The Saleroom (www.the-saleroom.com)

 

d.    Partecipazione tramite offerta scritta 

È infine possibile formulare le proprie offerte per iscritto compilando l’apposito modulo di offerta per procura o anche tramite testo libero. Le offerte scritte dovranno essere ricevute da Bertolami Fine Arts entro le ore 9:00 BST (10:00 CEST) di venerdì 7 luglio e potranno essere trasmesse tramite e-mail (amministrazione@bertolamifineart.com – info@bertolamifineart.com),  

per posta o consegnate presso i nostri uffici di Piazza Lovatelli 1 – 00186 Roma.

L’offerta scritta ha il valore di autorizzazione al banditore ad effettuare offerte per conto del firmatario. 

 

2. Esposizione

I lotti saranno visibili dal 4 al 6 luglio 2023 dalle 9:00 alle 17:30 BST nella sede in cui avrà luogo l’asta:

13 Hanover Square, Mayfair

London W1S 1HN 


3.     Offerte pre asta

 Dalla data di pubblicazione del catalogo online sino alle ore 9:00 BST (10:00 CEST) di venerdì 7 luglio sarà possibile:

a. cominciare ad effettuare offerte sul sito www.bertolamifineart.com o sui portali partner come elencati al punto c del paragrafo 1

b. inviare le offerte scritte di cui al punto d del paragrafo 1

Nel caso di:

a. unica offerta pre asta su un lotto

e in assenza di offerte di rilancio durante l’asta, il lotto sarà aggiudicato alla base d’asta anche ove l’unica offerta pervenuta fosse di importo superiore (l’importo dell’offerta pre asta indica infatti l’offerta massima che l’offerente è disposto ad effettuare) 

Esempio: base d’asta £ 1.000 – Unica offerta pre-asta £ 1.500 – Aggiudicazione a £ 1.000

b. offerte pre asta multiple dello stesso importo su uno stesso lotto 

e in assenza di offerte di rilancio durante l’asta, il lotto sarà aggiudicato all’autore dell’offerta con data anteriore 

c. offerte pre asta multiple di importi diversi su un medesimo lotto

e in assenza di offerte di rilancio durante l’asta, il lotto sarà aggiudicato all’autore dell’offerta più alta a un prezzo di aggiudicazione calcolato aggiungendo all’importo dell’offerta immediatamente inferiore un incremento prestabilito nella tabella pubblicata in calce (Tabella A)

Esempio: offerta cliente A £ 1.270, offerta cliente B £ 1800. Vince il cliente B non al prezzo di aggiudicazione di £ 1.800 ma di £ 1.370. Viene cioè applicato all’importo dell’offerta immediatamente inferiore l’incremento automatico di £ 100 previsto dalla tabella quando le offerte sono comprese nello scaglione £ 1.000-1.999. 

 

4.     Modalità di pagamento

Gli acquirenti dei lotti vincenti potranno scegliere tra le seguenti modalità di pagamento:

- assegno bancario o circolare non trasferibile intestato a Bertolami Fine Arts LTD (nel caso di pagamenti effettuati tramite assegni esteri aggiungere £ 10 all’importo della fattura);

- carta di credito;

- Paypal;

- Bonifico bancario a favore di Bertolami Fine Arts LTD.

Coordinate bancarie per pagamenti in Sterline britanniche (GBP):

Barclays, IBAN: GB68 BUKB 2057 7690 1999 66 – Account Nr. 90199966 - SWIFT/BIC: BUKBGB22

Coordinate bancarie per pagamenti in Euro:

Barclays, IBAN: GB69 BUKB 2057 7642 5454 00– Account Nr. 42545400 - SWIFT/BIC: BUKBGB22

(nel caso di pagamenti effettuati tramite bonifico extra-europeo aggiungere £ 10 all’importo della fattura)

Nota bene:

le fatture pagate tramite assegno, contanti o bonifico bancario sono esenti dal pagamento delle tasse amministrative del 3,5%

 

5. Diritti d’asta

L’acquirente corrisponderà a Bertolami Fine Arts una commissione d’asta pari al 27% del prezzo di aggiudicazione di ciascun lotto. 

Sui lotti acquistati tramite partecipazione on line sul sito www.bertolamifineart.com o sui portali partner si applicherà un’ulteriore commissione così quantificata:

www.bertolamifineart.com +1,5% del prezzo di aggiudicazione

Drouot +3% del prezzo di aggiudicazione

Invaluable +5% del prezzo di aggiudicazione

LiveAuctioneers +5% del prezzo di aggiudicazione

The Saleroom +3% del prezzo di aggiudicazione 

 

6.     Costi ulteriori

I costi di spedizione e eventuali costi doganali sono a carico del compratore. 

Nel caso in cui, per contestazioni ingiustificate, i beni dovessero essere restituiti a Bertolami Fine Arts, le spese doganali e di spedizione sono a carico del cliente. 

 

7.     Condizioni di vendita

Le condizioni di vendita che regolano il rapporto tra Bertolami Fine Art e la gentile clientela che prenderà parte alle aste sono pubblicate in ogni catalogo. Poiché esse si intendono automaticamente accettate dal momento della partecipazione all’asta, si prega di leggerle con attenzione.

In caso di discordanza tra la versione delle condizioni di vendita pubblicata su catalogo cartaceo e quella pubblicata su catalogo online, prevale la versione online. 

 

8.     Pubblicazione dei risultati d’asta 

L’elenco delle aggiudicazioni sarà pubblicato da Bertolami Fine Arts sul proprio sito, www.bertolamifineart.com, a soli fini informativi, entro dieci giorni dalla chiusura dell’asta. 

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