ASTA 267 - GLITTICA

ASTA 267 - GLITTICA

Friday 7 July 2023 hours 12:30 (UTC +00:00)
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  • A LARGE AGATE INTAGLIO SET IN A GOLD RING. MALE BUST.
    Lot 361

    A LARGE AGATE INTAGLIO SET IN A GOLD RING. MALE BUST.

    18th century

    Stone 19x25 mm; int. size 16x17 mm; 11,31 gr

    This portrait shows a mature male character facing right. The face is characterized by severe features; a short fronthead, aquiline nose, small mouth and proturding chin. The short hair are defined by an angular framing. The bust is draped by a toga. This physiognomy and anatomical details reminds the portraiture of the Roman senator Cato the younger. Slight wear marks.

    Provenance: U.K. private collection

  • A FINE CARNELIAN INTAGLIO SET IN A GOLD RING. BUST OF GALBA.
    Lot 362

    A FINE CARNELIAN INTAGLIO SET IN A GOLD RING. BUST OF GALBA.

    18th century

    Stone 12x16 mm; int. diam 17,5 mm; 5,83 gr

    The portrait is facing left with beautiful and truly well engraved realistic features of the laureated emperor directly inspired by the ancient coinage production. Mirror polishing. Slight wear marks.

    Provenance: U.K. private collection

  • A FINE CARNELIAN INTAGLIO SET IN A GOLD RING. BUST OF MEDUSA.
    Lot 363

    A FINE CARNELIAN INTAGLIO SET IN A GOLD RING. BUST OF MEDUSA.

    18th century

    Stone 15x16 mm; Int. Size 16,5x19 mm; 8,54 gr

    The revival mounting is characterized by shoulders with intertwined gold wired and a large rounded grooved box setting with a twisted gold wire; portrait of Medusa facing right. The mythological figure is characterized by elegant long wavy hair made of snakes with open mouths. With young features, long nose, small slightly open mouth and proturding chin. The eye wide open. Wear marks.

    Provenance: U.K. private collection

  • A POSTCLASSICAL CHALCEDONY INTAGLIO. BUST OF SOCRATES.
    Lot 364

    A POSTCLASSICAL CHALCEDONY INTAGLIO. BUST OF SOCRATES.

    17th- 18th century

    12,5x14x5 mm

    The old effigy faces right and is characterized by the typical partially bald skull, thick beard, tunicated shoulders. Slight wear marks.

    Provenance: U.K private collection

  • A GREEN JASPER INTAGLIO SET IN A REVIVAL GOLD RING. HEAD OF ATHENA.
    Lot 365

    A GREEN JASPER INTAGLIO SET IN A REVIVAL GOLD RING. HEAD OF ATHENA.

    19th century or later

    Stone 13x18 mm; int. Size 14x15 mm; 11,48 gr

    The revival gold mounting is formed of a rounded hoop, the outside incised and ending with gold spherical elements and a rope pattern. The large gold box setting is adorned with voluted gold wires and set with a green jasper intaglio; the head of the helmeted goddess is facing left. Wear marks.

    Provenance: U.K. private collection

  • A FINE NEOCLASSICAL AGATE CAMEO SET IN A GOLD BROOCH. PORTRAIT OF THE EMPEROR NERO.
    Lot 366

    A FINE NEOCLASSICAL AGATE CAMEO SET IN A GOLD BROOCH. PORTRAIT OF THE EMPEROR NERO.

    18th century

    Total 24x31 mm; 8,95 gr.

    The emperor is laureated and is facing right. The portrait shows his typical physiognomy details inspired by classical models (coins or sculptures from the Roman era). The work is expertly done and has a slight cracking that runs across the portrait diagonally. The cameo is set in a gold frame engraved with floral patterns.

    Provenance: U.K. private collection

  • A FINE AGATE CAMEO SET IN A GOLD RING WITH DIAMONDS. BUST PORTRAIT OF FAUSTINA THE ELDER.
    Lot 367

    A FINE AGATE CAMEO SET IN A GOLD RING WITH DIAMONDS. BUST PORTRAIT OF FAUSTINA THE ELDER.

    17th-18th century

    Stone 15x22 mm; with frame 21x27 mm; int. Size 18x20 mm; 9 gr.

    The Empress is facing left, her bust draped, the elaborate hairstyle typical of her portraits. The large oval bezel is set with 26 old-cut diamonds. With rounded hoop extending in openwork with volutes pattern and divided in two at the end.

    Provenance: U.K. private collection

  • A NEOCLASSICAL CHALCEDONY INTAGLIO SET IN A LATER GOLD RING. HOMER.
    Lot 368

    A NEOCLASSICAL CHALCEDONY INTAGLIO SET IN A LATER GOLD RING. HOMER.

    End of 18th century

    Stone 18x21 mm; Int Size 16x17 mm; 9 gr

    A fine portrait of the illustrious Greek poet. The effigy faces right and is characterized by a very refined rendering of the anatomical details. Georgian seal converted into a ring.

    Provenance: U.S. private collection, acquired on the art market. This lot is sold under temporary import status.

  • A BLOODSTONE INTAGLIO SET IN A GOLD RING. JULIUS CAESAR.
    Lot 369

    A BLOODSTONE INTAGLIO SET IN A GOLD RING. JULIUS CAESAR.

    18th century

    Stone 15x18 mm; Int. Size 14x17 mm; 6,54 gr

    The effigy of the dictator is turned to the left, with the bust draped in three-quarter view and the head in profile. Beautiful variety of Heliotrope, characterized by yellow and red inclusions. Georgian seal later converted into a ring.

    Provenance: U.S. private collection, acquired on the art market. This lot is sold under temporary import status.

  • A FINE LARGE NEOCLASSICAL CARNELIAN INTAGLIO SET IN A MODERN GOLD RING. BUST OF A BACCHANTE.
    Lot 370

    A FINE LARGE NEOCLASSICAL CARNELIAN INTAGLIO SET IN A MODERN GOLD RING. BUST OF A BACCHANTE.

    19th century

    Stone 17x21 mm; int. dize 16x17 mm; 10,64 gr.

    The bacchante is depicted in profile facing right, with a naked bust and hair adorned with bunches of grapes. In the background her attributes: the thyrsus and a small cup for wine. The profile is linear in the typical neoclassical style. Attractive color of the stone. The gem is set in an older gold frame from a seal readjusted into a modern ring. Very good condition.

    Provenance: U.K. private collection

  • A NEOCLASSICAL AGATE INTAGLIO SET IN A MODERN GOLD RING. BUST OF JULIUS CAESAR.
    Lot 371

    A NEOCLASSICAL AGATE INTAGLIO SET IN A MODERN GOLD RING. BUST OF JULIUS CAESAR.

    18th century

    Stone 14x16 mm; int. diam 18 mm; 6,66 gr.

    Bust of a beardless man, partially bald, with a haggard face, and a long thick neck, in profile to the left. Round is prominent left shoulder is draped a mantle, a fold of which he gasps in his right hand. The head resembles Julius Caesar. The absence of the usual attributes make the identification uncertain. There are many replicas of this type. The model have to be identified in the fine amethyst intaglio in the Metropolitan Museum (NY). In the field, three greek letters for MYO (to be identified). Wear marks.

    G.M.A. Richter, Catalogue of the engraved gems - MET NY, n. 469.

    Provenance: U.K. private collection

  • A GEORGIAN AGATE CAMEO SET IN A GOLD RING. PORTRAIT OF SOCRATES.
    Lot 372

    A GEORGIAN AGATE CAMEO SET IN A GOLD RING. PORTRAIT OF SOCRATES.

    18th century

    Stone 16x23 mm; int. size 17x20 mm; 10.55 gr

    A fine portrait of the Greek philosopher, facing left. The head is characterized by a partially bald skull with thick hair on the nape, a long beard, short and rounded nose, deep-set eyes with a meditative expression. The effigy is engraved on a three-layer agate with a crystallized background. Two slight diagonal cracks affecting only the surface. The stone is solid set in a later gold ring.

    Provenance: U.K collection acquired on the art market

  • AN AGATE CAMEO SET IN A ELEGANT GOLD BROOCH WITH FLOREAL ELEMENTS. BUST OF A ROMAN EMPEROR.
    Lot 373

    AN AGATE CAMEO SET IN A ELEGANT GOLD BROOCH WITH FLOREAL ELEMENTS. BUST OF A ROMAN EMPEROR.

    19th century.

    Stone diam. 18 mm; Brooch 33x33 mm; 9,05 gr

    Beautiful effigy of a young laureated emperor inspired by the portraits of the Julio-Claudian dynasty. The cameo is circular and mounted in a refined gold brooch with floral patterns enriched by small spherical and intertwined elements of different sizes.

    Provenance: U.K private collection

  • A FINE GOLD BROOCH SET WITH PEARLS AND AN AGATE CAMEO. FEMALE BUST.
    Lot 374

    A FINE GOLD BROOCH SET WITH PEARLS AND AN AGATE CAMEO. FEMALE BUST.

    Mid 19th century

    Stone 23x29 mm; Brooch 30x36 mm; 14,33 gr

    Diademed and partially veiled bust of a woman (the veil covers part of the neck but is knotted on the diadem at the level of the forehead). The effigy is turned to the right. The carved frame around the portrait is slightly damaged with missing. The cameo is mounted in a gold brooch with pearls.

    Provenance: U.K private collection

  • A NEOCLASSICAL ONYX CAMEO SET IN A GOLD RING. BUST OF SAPPHO.
    Lot 375

    A NEOCLASSICAL ONYX CAMEO SET IN A GOLD RING. BUST OF SAPPHO.

    19th century

    Stone 20x26 mm; int. Size 18,5x20 mm; 16,80 gr.

    This beautiful effigy faces right and is characterized by hair held by three bands and a sort of sakkos on the nape of the neck, which however makes the hair come out at the top. The portrait is very similar to a sardonyx cameo depicting the bust of the poetess Sappho signed by N. Amastini (Wartski) . The cameo has small missing (ear and hair) and light superficial cracks. The stone is set in a solid gold ring with a finely chiseled setting.

    Provenance: U.K. private collection

  • A LARGE AGATE CAMEO ATTRIBUTED TO BERINI SET IN A GOLD BROOCH. MALE BUST OF A GREEK RULER.
    Lot 376

    A LARGE AGATE CAMEO ATTRIBUTED TO BERINI SET IN A GOLD BROOCH. MALE BUST OF A GREEK RULER.

    19th century

    Stone 23x34 mm; Brooch 36x45 mm; 19,55 gr

    Beautiful and powerful portrait of a Greek sovereign, with his face turned three-quarters to the right. The man is characterized by thick hair held by a ribbon and a thick beard. The anatomical details are engraved with great art and refined technique, attributable to the engraver Antonio Berini (1770 - 1861). Both for the high style and the model. The nose is damaged and partially missing at the tip. The cameo is mounted in an elegant gold brooch decorated with plant patterns.

    P. Malgouyeres, Pierres Gravées (Coll. Guy Ladrière), n. 211. L.P.B. Stefanelli, La Collezione Paoletti, p. 288 n. 51 (as "Philosopher").

    Provenance: U.K private collection

  • A NEOCLASSICAL AGATE CAMEO. FEMALE BUST.
    Lot 377

    A NEOCLASSICAL AGATE CAMEO. FEMALE BUST.

    18th - 19th century

    20x28x8 mm

    The young woman is facing to the left and is characterized by long hair held up by two bands and flowing sinuously over the draped shoulder. The subject is inspired by ancient classical models. Beautiful execution.

    Provenance: U.K private collection

  • A NEOCLASSICAL AGATE CAMEO. HEAD OF A MAENAD.
    Lot 378

    A NEOCLASSICAL AGATE CAMEO. HEAD OF A MAENAD.

    18th - 19th century

    20x25x6 mm

    The effigy is facing left and is characterized by a hair adorned with a crown of wine leaves and bunches of grapes; the hair is very elaborate and sculpted in high relief. Some missing and chips. Work performed in Morelli's taste. Beautiful execution.

    Provenance: U.K private collection

  • A NEOCLASSICAL AGATE CAMEO. BUST OF FLORA.
    Lot 379

    A NEOCLASSICAL AGATE CAMEO. BUST OF FLORA.

    19th century

    16x22x5 mm

    Interesting work characterized by a skilful use of the different layers of the agate. The effigy is turned to the left and its hair is held back by a band and decorated with a flower with leaves; on the shoulder, a goat's foot to symbolize the goatskin cloak. Small chip on the edge.

    Provenance: U.K private collection

  • A NEOCLASSICAL CISELED GOLD BROOCH SET WITH A LARGE TWO-LAYERED AGATE CAMEO. DIADEMED PORTRAIT.
    Lot 380

    A NEOCLASSICAL CISELED GOLD BROOCH SET WITH A LARGE TWO-LAYERED AGATE CAMEO. DIADEMED PORTRAIT.

    19th century

    Stone 38x51x14 mm; 37,32 gr

    The female portrait is facing left, her hair tied in a bun and adorned with diadem, pearls and flower. Probably Diane.

    Provenance: U.S. private collection, acquired on the art market. This lot is sold under temporary import status.

  • A NEOCLASSICAL GOLD AND BLACK ENAMELED CUFFLINK SET WITH A TWO-LAYERED AGATE CAMEO. PORTRAIT OF HELMETED ATHENA.
    Lot 381

    A NEOCLASSICAL GOLD AND BLACK ENAMELED CUFFLINK SET WITH A TWO-LAYERED AGATE CAMEO. PORTRAIT OF HELMETED ATHENA.

    19th century A.D.

    Stone 18x22 mm; Mounting 25x25,5 mm; 8,30 gr

    The helmeted goddess is facing right.

    Provenance: U.S. private collection, acquired on the art market. This lot is sold under temporary import status.

  • A NEOCLASSICAL GOLD BROOCH SET WITH A LARGE TWO-LAYERED AGATE CAMEO. BUST OF CLYTIE.
    Lot 382

    A NEOCLASSICAL GOLD BROOCH SET WITH A LARGE TWO-LAYERED AGATE CAMEO. BUST OF CLYTIE.

    19th century

    Stone 27x37 mm; Brooch 36x46 mm; 23,90 gr

    The Nymph is facing left, and characterized by a very elaborated and elegant hairstyle. The face is slighlty bent. Beautiful execution.

    Provenance: U.S. private collection, acquired on the art market. This lot is sold under temporary import status.

  • A NEOCLASSICAL TWO-LAYERED AGATE CAMEO SET IN A GOLD PENDANT. BUST OF ARIADNE.
    Lot 383

    A NEOCLASSICAL TWO-LAYERED AGATE CAMEO SET IN A GOLD PENDANT. BUST OF ARIADNE.

    19th century

    40x55x20 mm; 47,60 gr

    The female portrait is facing left, the head slightly bent. Finely carved in high relief, each detail is engraved with great skill. Large size.

    Provenance: U.S. private collection, acquired on the art market. This lot is sold under temporary import status.

  • A NEOCLASSICAL SILVER ENAMELED PENDANT SET WITH A THREE-LAYERED AGATE CAMEO. PORTRAIT OF A BACCHANTE.
    Lot 384

    A NEOCLASSICAL SILVER ENAMELED PENDANT SET WITH A THREE-LAYERED AGATE CAMEO. PORTRAIT OF A BACCHANTE.

    18th century

    Stone 20x29 mm; Brooch 30x40 mm; 10,34 gr

    Facing right with an ivy-leaves crown.

    Provenance: U.S. private collection, acquired on the art market. This lot is sold under temporary import status.

Lots from 361 to 384 of 471
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ASTA 267 - GLITTICA


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  • 7 July 2023 hours 12:30 ASTA 267 - GLITTICA (1 - 471)

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INFORMAZIONI SULL’ASTA 267


1.     Modalità di partecipazione 

L’asta sarà battuta il 7 luglio 2023 a partire dalle ore 12:30 BST (13:30 CEST) al seguente indirizzo: 

13 Hanover Square, Mayfair

London W1S 1HN


Sono previste le seguenti modalità di partecipazione: di persona presso i locali in cui l’asta sarà battuta, telefonica, online previa registrazione sul nostro sito www.bertolamifineart.com o sui portali partner (vedi elenco sotto riportato), tramite offerta scritta fatta pervenire entro le 9:00 BST (10:00 CEST) di venerdì 7 luglio.

a.     Partecipazione in sala

I clienti non conosciuti e che non si fossero già registrati dovranno essere provvisti di un valido documento di identità.

b.    Partecipazione telefonica 

É possibile fare le proprie offerte durante l’asta tramite telefono guidati da un nostro operatore. Per accedere a questa modalità di partecipazione sarà necessario prenotarsi entro le 9:00 BST (10:00 CEST) di venerdì 7 luglio specificando i lotti per i quali si intende entrare in gara e un recapito telefonico. I clienti così prenotati saranno chiamati al numero di telefono da loro indicato alcuni lotti prima di quelli per cui avranno manifestato interesse

La prenotazione per la partecipazione telefonica ha il valore di un’offerta scritta alla base d’asta indicata in catalogo.  

Per prenotare la partecipazione telefonica compilare l’apposito modulo di offerta 

(Per info:  

+39 32609795 info@bertolamifineart.com - amministrazione@bertolamifineart.com) 


c.     Partecipazione online attraverso il nostro sito o i portali partner 

È possibile fare le proprie offerte durante l’asta registrandosi sul nostro sito www.bertolamifineart.com oppure sui seguenti portali partner:

Arsvalue (www.arsvalue.com)

Biddr (www.biddr.com)

Drouot (www.drouot.com)

Emax.bid (www.emax.bid.com)

Invaluable (www.invaluable.com)

LiveAuctioneers (www.liveauctioneers.com)

Sixbid (www.sixbid.com)

The Saleroom (www.the-saleroom.com)

 

d.    Partecipazione tramite offerta scritta 

È infine possibile formulare le proprie offerte per iscritto compilando l’apposito modulo di offerta per procura o anche tramite testo libero. Le offerte scritte dovranno essere ricevute da Bertolami Fine Arts entro le ore 9:00 BST (10:00 CEST) di venerdì 7 luglio e potranno essere trasmesse tramite e-mail (amministrazione@bertolamifineart.com – info@bertolamifineart.com),  

per posta o consegnate presso i nostri uffici di Piazza Lovatelli 1 – 00186 Roma.

L’offerta scritta ha il valore di autorizzazione al banditore ad effettuare offerte per conto del firmatario. 

 

2. Esposizione

I lotti saranno visibili dal 4 al 6 luglio 2023 dalle 9:00 alle 17:30 BST nella sede in cui avrà luogo l’asta:

13 Hanover Square, Mayfair

London W1S 1HN 


3.     Offerte pre asta

 Dalla data di pubblicazione del catalogo online sino alle ore 9:00 BST (10:00 CEST) di venerdì 7 luglio sarà possibile:

a. cominciare ad effettuare offerte sul sito www.bertolamifineart.com o sui portali partner come elencati al punto c del paragrafo 1

b. inviare le offerte scritte di cui al punto d del paragrafo 1

Nel caso di:

a. unica offerta pre asta su un lotto

e in assenza di offerte di rilancio durante l’asta, il lotto sarà aggiudicato alla base d’asta anche ove l’unica offerta pervenuta fosse di importo superiore (l’importo dell’offerta pre asta indica infatti l’offerta massima che l’offerente è disposto ad effettuare) 

Esempio: base d’asta £ 1.000 – Unica offerta pre-asta £ 1.500 – Aggiudicazione a £ 1.000

b. offerte pre asta multiple dello stesso importo su uno stesso lotto 

e in assenza di offerte di rilancio durante l’asta, il lotto sarà aggiudicato all’autore dell’offerta con data anteriore 

c. offerte pre asta multiple di importi diversi su un medesimo lotto

e in assenza di offerte di rilancio durante l’asta, il lotto sarà aggiudicato all’autore dell’offerta più alta a un prezzo di aggiudicazione calcolato aggiungendo all’importo dell’offerta immediatamente inferiore un incremento prestabilito nella tabella pubblicata in calce (Tabella A)

Esempio: offerta cliente A £ 1.270, offerta cliente B £ 1800. Vince il cliente B non al prezzo di aggiudicazione di £ 1.800 ma di £ 1.370. Viene cioè applicato all’importo dell’offerta immediatamente inferiore l’incremento automatico di £ 100 previsto dalla tabella quando le offerte sono comprese nello scaglione £ 1.000-1.999. 

 

4.     Modalità di pagamento

Gli acquirenti dei lotti vincenti potranno scegliere tra le seguenti modalità di pagamento:

- assegno bancario o circolare non trasferibile intestato a Bertolami Fine Arts LTD (nel caso di pagamenti effettuati tramite assegni esteri aggiungere £ 10 all’importo della fattura);

- carta di credito;

- Paypal;

- Bonifico bancario a favore di Bertolami Fine Arts LTD.

Coordinate bancarie per pagamenti in Sterline britanniche (GBP):

Barclays, IBAN: GB68 BUKB 2057 7690 1999 66 – Account Nr. 90199966 - SWIFT/BIC: BUKBGB22

Coordinate bancarie per pagamenti in Euro:

Barclays, IBAN: GB69 BUKB 2057 7642 5454 00– Account Nr. 42545400 - SWIFT/BIC: BUKBGB22

(nel caso di pagamenti effettuati tramite bonifico extra-europeo aggiungere £ 10 all’importo della fattura)

Nota bene:

le fatture pagate tramite assegno, contanti o bonifico bancario sono esenti dal pagamento delle tasse amministrative del 3,5%

 

5. Diritti d’asta

L’acquirente corrisponderà a Bertolami Fine Arts una commissione d’asta pari al 27% del prezzo di aggiudicazione di ciascun lotto. 

Sui lotti acquistati tramite partecipazione on line sul sito www.bertolamifineart.com o sui portali partner si applicherà un’ulteriore commissione così quantificata:

www.bertolamifineart.com +1,5% del prezzo di aggiudicazione

Drouot +3% del prezzo di aggiudicazione

Invaluable +5% del prezzo di aggiudicazione

LiveAuctioneers +5% del prezzo di aggiudicazione

The Saleroom +3% del prezzo di aggiudicazione 

 

6.     Costi ulteriori

I costi di spedizione e eventuali costi doganali sono a carico del compratore. 

Nel caso in cui, per contestazioni ingiustificate, i beni dovessero essere restituiti a Bertolami Fine Arts, le spese doganali e di spedizione sono a carico del cliente. 

 

7.     Condizioni di vendita

Le condizioni di vendita che regolano il rapporto tra Bertolami Fine Art e la gentile clientela che prenderà parte alle aste sono pubblicate in ogni catalogo. Poiché esse si intendono automaticamente accettate dal momento della partecipazione all’asta, si prega di leggerle con attenzione.

In caso di discordanza tra la versione delle condizioni di vendita pubblicata su catalogo cartaceo e quella pubblicata su catalogo online, prevale la versione online. 

 

8.     Pubblicazione dei risultati d’asta 

L’elenco delle aggiudicazioni sarà pubblicato da Bertolami Fine Arts sul proprio sito, www.bertolamifineart.com, a soli fini informativi, entro dieci giorni dalla chiusura dell’asta. 

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