ASTA 267 - GLITTICA

ASTA 267 - GLITTICA

Friday 7 July 2023 hours 12:30 (UTC +00:00)
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Lots from 193 to 216 of 471
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  • A ROMAN CARNELIAN INTAGLIO. PORTRAIT OF JULIA TITI.
    Lot 193

    A ROMAN CARNELIAN INTAGLIO. PORTRAIT OF JULIA TITI.

    1st century A.D.

    12x15x3 mm

    Bust portrait of Julia Titi (63-91 A.D.), daughter of the Roman emperor Titus. The princess is facing left and is characterized by her typically elaborated hair. The bust is tunicated. Missing on the edge and chips. Wear marks.

    Medailles et antiques.bnf database: inv. inv.58.2089; Vollenweider, M.-L.., Avisseau-Broustet, Mathilde. Camées et intailles, II, Les portraits romains du Cabinet des Médailles. Paris : Bibliothèque nationale de France, 2003, p.128-129, n°145.
    Le trésor de Saint-Denis [cat.exp.]. Paris : RMN, 1991, p.92-98; 50;199; 348, n°13 D. Gaborit-Chopin.
    Chéron, Elisabeth-Sophie. Pierres antiques gravées tirées des principaux cabinets de la France. Paris : 1709, pl. XXXIX, Julie, fille de Tite. Aigue-marine du trésor de Saint-Denis

    Provenance: Formerly in the D.C. collection, London ; acquired by an international french collector from the above in the early 2000s.

  • A ROMAN CARNELIAN INTAGLIO. DRAPED PORTRAIT OF A YOUTH.
    Lot 194

    A ROMAN CARNELIAN INTAGLIO. DRAPED PORTRAIT OF A YOUTH.

    1st century A.D.

    12x17x3 mm

    Facing left with the typical julio-claudian features; short hair framing the face, long thin nose, small chip. Presence of globular elements. Beautiful colour of the stone. Wear marks.

    Provenance: Ex Sangiorgi collection, acquired in the late 19th-early 20th century ; Ex Christie's NY, 06/12/2007, lot 322. This lot is sold under temporary import status.

  • A FINE ROMAN GARNET INTAGLIO. MALE PORTRAIT.
    Lot 195

    A FINE ROMAN GARNET INTAGLIO. MALE PORTRAIT.

    Early 1st century A.D.

    17x19x3 mm

    Private portrait of a Roman character from the late Republican age. The effigy faces left and is engraved with great skill. The man is characterized by features of mature age, with a partially bald skull, a pronounced nose, slightly open mouth, pronounced cheekbone; the bust is draped. The subject refers to the time of Julius Caesar and recalls characters such as Cicero, Maecenas and also the dictator Silla. Large stone, characterized by a splendid dark amber color. Wear marks.

    For a similar portrait and style: M-L. Vollenweider, Camees et intailles. Les portraits romains du Cabinet des medailles, Tome II n. 2, 13, 15. M-L. Vollenweider, Die portratgemmen der romischen Republik, taf. 58, 64 ss. For a similar portrait using the samew type of stone, see G.M.A. Richter, Catalogue of the engraved gems (MET), p. 104 n. 474.

    Provenance: U.K. private, acquired on the art market 1980s-1990s

  • A FINE ROMAN CARNELIAN INTAGLIO. IMPERIAL BUST PORTRAIT OF A MATRONA.
    Lot 196

    A FINE ROMAN CARNELIAN INTAGLIO. IMPERIAL BUST PORTRAIT OF A MATRONA.

    1st century A.D.

    8 x 10 x 2 mm

    Facing right, her face characterized by young features, her long hair tied behind and adorned with a large braided lock. The iconography is referable to the Julio Claudian - Flavian models, as the Antonia's portraits. Chip on the back of the stone. Fine details for the very small size of the stone.

    Provenance: From the collection of an European gentleman, acquired on the art market

  • A ROMAN CARNELIAN INTAGLIO. PORTRAIT OF AN EMPEROR.
    Lot 197

    A ROMAN CARNELIAN INTAGLIO. PORTRAIT OF AN EMPEROR.

    1st - 2nd century A.D.

    11x13x3 mm

    The effigy is laureated and facing right. Probably a provincial portrait of the young emperor Nero. The head is not aligned with the oval of the gem. Wear marks.

    Provenance: U.K private collection

  • A ROMAN GOLD RING. BEARDED MALE PORTRAIT.
    Lot 198

    A ROMAN GOLD RING. BEARDED MALE PORTRAIT.

    2nd century A.D.

    Bezel 14x19 mm; int. Size 17x18 mm; 23,86 gr

    With rounded hoop, flatten within expanding upwards and ending with an oval engraved bezel; the bearded male portrait facing right features Antoninus Pius (86-161). Wear marks. Roman emperor from A.D. 138 to 161. Mild-mannered and capable, he was the fourth of the “five good emperors” who guided the empire through an 84-year period (96–180) of internal peace and prosperity. His family originated in Gaul, and his father and grandfathers had all been consuls.

    Provenance: This lot is sold under temporary import status.

  • A ROMAN RED JASPER INTAGLIO. BUST OF A BEARDED MAN.
    Lot 199

    A ROMAN RED JASPER INTAGLIO. BUST OF A BEARDED MAN.

    2nd-3rd century A.D.

    12x16x2 mm

    Facing left and characterized by short hair, beard and moustache. The fronthead wrinkled, long arched eyebrow, lided eye and semi-opened mouth. The bust draped. Traces of patina and wear marks.

    Provenance: Ex Sangiorgi collection, acquired in the late 19th-early 20th century ; Ex Christie's NY, 06/12/2007, lot 322. This lot is sold under temporary import status.

  • AN EASTERN ROMAN RED JASPER INTAGLIO. PORTRAIT OF A MATRONA.
    Lot 200

    AN EASTERN ROMAN RED JASPER INTAGLIO. PORTRAIT OF A MATRONA.

    2nd-3rd century A.D.

    11x14x2 mm

    The portrait is facing left showing a very detailed hairstyle "melonenfrisur" with flattened braids rising at the back of the head.Traces of deposits and slight wear marks.

    Provenance: U.K. private collection

  • A LATE IMPERIAL ROMAN GARNET INTAGLIO. BUST OF AN EMPRESS.
    Lot 201

    A LATE IMPERIAL ROMAN GARNET INTAGLIO. BUST OF AN EMPRESS.

    4th century A.D.

    13x17x2 mm

    The portrait is facing left. She is characterized by elaborate hair, with a group of braids that goes down the nape of the neck going up to the ear; the other hair is pulled back and held by a diadem with pearls. The woman wears double pearl earrings and a precious pearl necklace. The bust is tunicated. The profile shows a straight and prominent nose, a small mouth, a small and rounded chin, a large eye. The anatomical details of the face and hair are certainly referable to a portrait of an empress of the late Roman period. The technical execution is very refined. The portrait is executed with great art, worthy of a commission from the imperial family. Even the choice of stone, a splendid, very thin garnet, with a concave back, can be attributed to a top-level atelier. Wear marks. The portrait approaches the effigies of Theodora. The empress Flavia Maximiana Theodora (c. 275 – before 337) had been married to the emperor Constantius I ‘Chlorus’ (A.D. 305-306). Her coin portraits become more elaborate over time, with the bust adorned with a necklace and a more elaborate hairstyle. A certain resemblance is also recognizable with the portraits of Fausta, the ill-fated wife of Constantine I 'the Great' (A.D. 307-337), and of Flavia Julia Helena Augusta (c. AD 246/248– c. 330) mother of Emperor Constantine the Great.

    Provenance: U.K. private collection acquired on the british art market.

  • A LATE ROMAN NICOLO INTAGLIO SET IN A OPENWORK GOLD RING. MALE PORTRAIT WITH INITIALS.
    Lot 202

    A LATE ROMAN NICOLO INTAGLIO SET IN A OPENWORK GOLD RING. MALE PORTRAIT WITH INITIALS.

    Late 3rd- Early 4th century A.D.

    Stone 13x17 mm; int. Size 17,5x22 mm; 14,69 gr.

    With large hoop with elaborated openwork shoulders with floral and volutes patterns extanding on an oval bezel set with a nicolo intaglio depicting a male bust. The effigy is facing left with draped bust. The portrait is characterized by physionomical and anatomical details typical of Constantine era. The subject is possibly referable to a prince portrait. The four letters surrounding the portrait can be linked to his identity (to be identified). Very good overall condition, slight wear marks and deposits.

    For a similar portrait see: J.SPIER, Late Antique and Early Christian Gems, n°15,16,22.

    Provenance: U.K. private collection acquired on the art market.

  • A LATE ROMAN GOLD RING SET WITH A CARNELIAN INTAGLIO. EAGLE HOLDING A LAUREL WREATH. 
    Lot 203

    A LATE ROMAN GOLD RING SET WITH A CARNELIAN INTAGLIO. EAGLE HOLDING A LAUREL WREATH. 

    3rd century A.D.

    Stone 10x12 mm; 7,92 gr; int. diam 18 mm

    The rounded hoop with two twisted gold wires separated by a central platted wire. The shoulders ending with a small spherical bead are surmounted by a high raised bezel composed of two box-settings and set in the center of a carnelian intaglio. The scene depicts an eagle with laurel wreath in its beak. Signs of use on the surface of the stone. 

    Provenance: U.K. private collection

  • A ROMAN RED JASPER INTAGLIO SET IN A GOLD RING. EAGLE.
    Lot 204

    A ROMAN RED JASPER INTAGLIO SET IN A GOLD RING. EAGLE.

    2nd century A.D.

    Stone 7x9,5 mm; int. Size 18,5x19 mm; 1,50 gr.

    A flying eagle lands on a tree branch. Chips on the edge. Wear marks.

    Provenance: European collection, acquired on the market, early 2000's.

  • A ROMAN GOLD RING SET WITH A GREEN CHALCEDONY INTAGLIO.EAGLE BETWEEN MILITARY STANDARDS.
    Lot 205

    A ROMAN GOLD RING SET WITH A GREEN CHALCEDONY INTAGLIO.EAGLE BETWEEN MILITARY STANDARDS.

    1st - 2nd century A.D.

    Stone 8x11 mm; int. Size 17x19 mm; 11,10 gr

    With rounded hoop expanding upward onto an oval bezel set with an intaglio. In the center a imperial eagle holding a laurel wreath in its beak between two military Insignia. Palm branch. Groundline. Wear marks.

    Provenance: U.K. private collection

  • A ROMAN CARNELIAN INTAGLIO SET IN A GOLD RING. LEDA ON THE SWAN.
    Lot 206

    A ROMAN CARNELIAN INTAGLIO SET IN A GOLD RING. LEDA ON THE SWAN.

    2nd century A.D.

    Stone diam 11 mm; int size 18,5x17 mm; 5,09 gr.

    The female figure is seated above the swan flying to the left, probably an allegory of Leda and the metamorphosis of Zeus. Wear marks.

    Provenance: European collection, acquired on the market, early 2000's.

  • A ROMAN RED JASPER INTAGLIO SET IN A GOLD RING. HUNTING SCENE.
    Lot 207

    A ROMAN RED JASPER INTAGLIO SET IN A GOLD RING. HUNTING SCENE.

    2nd-3rd century A.D.

    Stone 8x13 mm; int. Size 18x19 mm; 6,48 gr.

    Hunting scene consisting of a dog chasing a hare with its puppy. Wear marks. The gemstone is set in a bezel with an intertwined frame on the edge and stylized revolving patterns on the case.

    Provenance: European collection, acquired on the market, early 2000's.

  • A ROMAN RED JASPER INTAGLIO SET IN A MODERN GOLD RING. A DOG.
    Lot 208

    A ROMAN RED JASPER INTAGLIO SET IN A MODERN GOLD RING. A DOG.

    1st-2nd century A.D.

    Stone 5x7 mm; int. diam 19 mm; 3,38 gr.

    A dog faces right but lifts its head back, toward the sun (or a full moon). Groundline.

    Provenance: European collection, acquired on the market, early 2000's.

  •  A ROMAN RED JASPER INTAGLIO SET IN A GOLD RING. EROS ON A CHARIOT PULLED BY TWO SHRIMPS.
    Lot 209

    A ROMAN RED JASPER INTAGLIO SET IN A GOLD RING. EROS ON A CHARIOT PULLED BY TWO SHRIMPS.

    2nd-3rd century A.D.

    Stone 10x14 mm; int. Size 17,5 x 19 mm; 7,60 gr.

    Eros drives a small chariot pulled by two crustaceans, holding up a palm branch as a sign of victory. Small lack on the edge (with gold integration) and wear marks.

    Provenance: U.K. private collection

  • A ROMAN AGATE INTAGLIO SET IN A GOLD RING. SHRIMP.
    Lot 210

    A ROMAN AGATE INTAGLIO SET IN A GOLD RING. SHRIMP.

    1st century A.D.

    Stone 11x12,5 mm; int. Size 15x17 mm; 2,84

    With rounded hoop surmounted by an oval box-setting set with an agate intaglio. Shrimp facing left; beneath a stylized shell.

    Provenance: U.K. private collection

  • A ROMAN OPENWORKED GOLD RING WITH A CARNELIAN INTAGLIO. ANT.
    Lot 211

    A ROMAN OPENWORKED GOLD RING WITH A CARNELIAN INTAGLIO. ANT.

    3rd century A.D.

    Stone 5x7 mm; int. Size 12x14 mm; 2,34 gr

    Hoop composed of a wavy wire, bordered on either side by a plain and beaded wire. To the end is soldered a high box-setting with globules and set with a carnelian intaglio; ant. Wear marks, slight damages on the box setting.

    For a similar typology see: F.H. Marshall, Finger Rings, n.558

    Provenance: From a private collection, France, acquired on the art market in the early 2000s

  • A LATE ROMAN GOLD RING SET WITH A GARNET INTAGLIO. GRASSHOPPER FACING LEFT. 
    Lot 212

    A LATE ROMAN GOLD RING SET WITH A GARNET INTAGLIO. GRASSHOPPER FACING LEFT. 

    3rd-4th century A.D.

    Stone 9x11 mm; 6,66 gr; int. size 19x20 mm

    Gold finger-ring; hoop composed of beaded wires saldered together; at the shoulders, they branch out; the spaces thus left are filled with wire spirals; the bezel is in the form of an oval box-setting containing a garnet intaglio depicting a grasshopper facing left. Wear marks.

    For a similar typology see: British Museum, inv. 1917,0501.653

    Provenance: U.K. private collection

  • A ROMAN GOLD RING WITH A NICOLO INTAGLIO. RABBIT ON A BASKET.
    Lot 213

    A ROMAN GOLD RING WITH A NICOLO INTAGLIO. RABBIT ON A BASKET.

    2nd century A.D.

    Stone 11x13 mm; int. size 13x17 mm; 4,92 gr

    With rounded hoop (damaged) expanding upwards and surmounting by a large oval box-setting containing a nicolo intaglio; rabbit facing left on a rooped basket with a carrot. Wear marks.

    Provenance: From a private collection, France, acquired on the art market in the early 2000s

  • A ROMAN GOLD RING WITH A CARNELIAN INTAGLIO. A FIGURE RIDING A BULL.
    Lot 214

    A ROMAN GOLD RING WITH A CARNELIAN INTAGLIO. A FIGURE RIDING A BULL.

    1st - 2nd century A.D.

    Stone 10x14 mm; int. size 11x15 mm; 3,80 gr

    With rounded hoop, flatten within and expanding upwards on the squared shoulders surmounted by a box-setting containing a carnelian intaglio; a draped goddess riding an bull toward right. Groundline. Wear marks.

    Provenance: From a private collection, France, acquired from D.C. collection, London.

  • A ROMAN GOLD RING SET WITH A JASPER INTAGLIO. GOAT UNDER A TREE.
    Lot 215

    A ROMAN GOLD RING SET WITH A JASPER INTAGLIO. GOAT UNDER A TREE.

    2nd - 3rd century A.D.

    Stone 8x12 mm; int. Size 18x19 mm; 9,94 gr.

    With rounded hoop, flatten within expanding in wider shoulders forming three rounded scales, ending in a large oval scaled box setting with a jasper intaglio showing a harving scene, with two flying erotes in a tree. On the ground, a goat facing left eating ear of corns. Groundline. Wear marks and signs of use. Good overall condition.

    Provenance: U.K. private collection

  • A ROMAN AGATE INTAGLIO SET IN A GEORGIAN GOLD RING. PEGASUS.
    Lot 216

    A ROMAN AGATE INTAGLIO SET IN A GEORGIAN GOLD RING. PEGASUS.

    2nd century A.D.

    Stone 7,5x10 mm; int. Size 17x19 mm; 5,28 gr

    Hoop rounded without and flatten within, expanding upwards with shoulders forming volutes and ornated with a globular element. The large oval box setting is set with a high raised layered agate intaglio. Pegasus facing left. Wear marks.

    Provenance: U.K. private collection

Lots from 193 to 216 of 471
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ASTA 267 - GLITTICA


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  • 7 July 2023 hours 12:30 ASTA 267 - GLITTICA (1 - 471)

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INFORMAZIONI SULL’ASTA 267


1.     Modalità di partecipazione 

L’asta sarà battuta il 7 luglio 2023 a partire dalle ore 12:30 BST (13:30 CEST) al seguente indirizzo: 

13 Hanover Square, Mayfair

London W1S 1HN


Sono previste le seguenti modalità di partecipazione: di persona presso i locali in cui l’asta sarà battuta, telefonica, online previa registrazione sul nostro sito www.bertolamifineart.com o sui portali partner (vedi elenco sotto riportato), tramite offerta scritta fatta pervenire entro le 9:00 BST (10:00 CEST) di venerdì 7 luglio.

a.     Partecipazione in sala

I clienti non conosciuti e che non si fossero già registrati dovranno essere provvisti di un valido documento di identità.

b.    Partecipazione telefonica 

É possibile fare le proprie offerte durante l’asta tramite telefono guidati da un nostro operatore. Per accedere a questa modalità di partecipazione sarà necessario prenotarsi entro le 9:00 BST (10:00 CEST) di venerdì 7 luglio specificando i lotti per i quali si intende entrare in gara e un recapito telefonico. I clienti così prenotati saranno chiamati al numero di telefono da loro indicato alcuni lotti prima di quelli per cui avranno manifestato interesse

La prenotazione per la partecipazione telefonica ha il valore di un’offerta scritta alla base d’asta indicata in catalogo.  

Per prenotare la partecipazione telefonica compilare l’apposito modulo di offerta 

(Per info:  

+39 32609795 info@bertolamifineart.com - amministrazione@bertolamifineart.com) 


c.     Partecipazione online attraverso il nostro sito o i portali partner 

È possibile fare le proprie offerte durante l’asta registrandosi sul nostro sito www.bertolamifineart.com oppure sui seguenti portali partner:

Arsvalue (www.arsvalue.com)

Biddr (www.biddr.com)

Drouot (www.drouot.com)

Emax.bid (www.emax.bid.com)

Invaluable (www.invaluable.com)

LiveAuctioneers (www.liveauctioneers.com)

Sixbid (www.sixbid.com)

The Saleroom (www.the-saleroom.com)

 

d.    Partecipazione tramite offerta scritta 

È infine possibile formulare le proprie offerte per iscritto compilando l’apposito modulo di offerta per procura o anche tramite testo libero. Le offerte scritte dovranno essere ricevute da Bertolami Fine Arts entro le ore 9:00 BST (10:00 CEST) di venerdì 7 luglio e potranno essere trasmesse tramite e-mail (amministrazione@bertolamifineart.com – info@bertolamifineart.com),  

per posta o consegnate presso i nostri uffici di Piazza Lovatelli 1 – 00186 Roma.

L’offerta scritta ha il valore di autorizzazione al banditore ad effettuare offerte per conto del firmatario. 

 

2. Esposizione

I lotti saranno visibili dal 4 al 6 luglio 2023 dalle 9:00 alle 17:30 BST nella sede in cui avrà luogo l’asta:

13 Hanover Square, Mayfair

London W1S 1HN 


3.     Offerte pre asta

 Dalla data di pubblicazione del catalogo online sino alle ore 9:00 BST (10:00 CEST) di venerdì 7 luglio sarà possibile:

a. cominciare ad effettuare offerte sul sito www.bertolamifineart.com o sui portali partner come elencati al punto c del paragrafo 1

b. inviare le offerte scritte di cui al punto d del paragrafo 1

Nel caso di:

a. unica offerta pre asta su un lotto

e in assenza di offerte di rilancio durante l’asta, il lotto sarà aggiudicato alla base d’asta anche ove l’unica offerta pervenuta fosse di importo superiore (l’importo dell’offerta pre asta indica infatti l’offerta massima che l’offerente è disposto ad effettuare) 

Esempio: base d’asta £ 1.000 – Unica offerta pre-asta £ 1.500 – Aggiudicazione a £ 1.000

b. offerte pre asta multiple dello stesso importo su uno stesso lotto 

e in assenza di offerte di rilancio durante l’asta, il lotto sarà aggiudicato all’autore dell’offerta con data anteriore 

c. offerte pre asta multiple di importi diversi su un medesimo lotto

e in assenza di offerte di rilancio durante l’asta, il lotto sarà aggiudicato all’autore dell’offerta più alta a un prezzo di aggiudicazione calcolato aggiungendo all’importo dell’offerta immediatamente inferiore un incremento prestabilito nella tabella pubblicata in calce (Tabella A)

Esempio: offerta cliente A £ 1.270, offerta cliente B £ 1800. Vince il cliente B non al prezzo di aggiudicazione di £ 1.800 ma di £ 1.370. Viene cioè applicato all’importo dell’offerta immediatamente inferiore l’incremento automatico di £ 100 previsto dalla tabella quando le offerte sono comprese nello scaglione £ 1.000-1.999. 

 

4.     Modalità di pagamento

Gli acquirenti dei lotti vincenti potranno scegliere tra le seguenti modalità di pagamento:

- assegno bancario o circolare non trasferibile intestato a Bertolami Fine Arts LTD (nel caso di pagamenti effettuati tramite assegni esteri aggiungere £ 10 all’importo della fattura);

- carta di credito;

- Paypal;

- Bonifico bancario a favore di Bertolami Fine Arts LTD.

Coordinate bancarie per pagamenti in Sterline britanniche (GBP):

Barclays, IBAN: GB68 BUKB 2057 7690 1999 66 – Account Nr. 90199966 - SWIFT/BIC: BUKBGB22

Coordinate bancarie per pagamenti in Euro:

Barclays, IBAN: GB69 BUKB 2057 7642 5454 00– Account Nr. 42545400 - SWIFT/BIC: BUKBGB22

(nel caso di pagamenti effettuati tramite bonifico extra-europeo aggiungere £ 10 all’importo della fattura)

Nota bene:

le fatture pagate tramite assegno, contanti o bonifico bancario sono esenti dal pagamento delle tasse amministrative del 3,5%

 

5. Diritti d’asta

L’acquirente corrisponderà a Bertolami Fine Arts una commissione d’asta pari al 27% del prezzo di aggiudicazione di ciascun lotto. 

Sui lotti acquistati tramite partecipazione on line sul sito www.bertolamifineart.com o sui portali partner si applicherà un’ulteriore commissione così quantificata:

www.bertolamifineart.com +1,5% del prezzo di aggiudicazione

Drouot +3% del prezzo di aggiudicazione

Invaluable +5% del prezzo di aggiudicazione

LiveAuctioneers +5% del prezzo di aggiudicazione

The Saleroom +3% del prezzo di aggiudicazione 

 

6.     Costi ulteriori

I costi di spedizione e eventuali costi doganali sono a carico del compratore. 

Nel caso in cui, per contestazioni ingiustificate, i beni dovessero essere restituiti a Bertolami Fine Arts, le spese doganali e di spedizione sono a carico del cliente. 

 

7.     Condizioni di vendita

Le condizioni di vendita che regolano il rapporto tra Bertolami Fine Art e la gentile clientela che prenderà parte alle aste sono pubblicate in ogni catalogo. Poiché esse si intendono automaticamente accettate dal momento della partecipazione all’asta, si prega di leggerle con attenzione.

In caso di discordanza tra la versione delle condizioni di vendita pubblicata su catalogo cartaceo e quella pubblicata su catalogo online, prevale la versione online. 

 

8.     Pubblicazione dei risultati d’asta 

L’elenco delle aggiudicazioni sarà pubblicato da Bertolami Fine Arts sul proprio sito, www.bertolamifineart.com, a soli fini informativi, entro dieci giorni dalla chiusura dell’asta. 

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