ASTA 267 - GLITTICA

ASTA 267 - GLITTICA

Friday 7 July 2023 hours 12:30 (UTC +00:00)
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  • A ROMAN BURNT BANDED AGATE INTAGLIO. YOUNG SHEPHERD PLAYING WITH A HARE.
    Lot 145

    A ROMAN BURNT BANDED AGATE INTAGLIO. YOUNG SHEPHERD PLAYING WITH A HARE.

    1st-2nd century A.D.

    10x12x3 mm

    The male figure is facing left, playing with a hare. Slighlty burnt surface.Wear marks.

    Provenance: U.K. private collection

  • A ROMAN NICOLO INTAGLIO. MARS GRADIVUS.
    Lot 146

    A ROMAN NICOLO INTAGLIO. MARS GRADIVUS.

    2nd century A.D.

    14x19x4,5 mm

    The helmeted god is standing left, wearing spear and trophy. Wear marks and traces of the iron mounting.

    Provenance: U.K. private collection

  • A ROMAN BANDED AGATE INTAGLIO. AURORA.
    Lot 147

    A ROMAN BANDED AGATE INTAGLIO. AURORA.

    1st century A.D.

    9x14x2 mm

    Beautiful depiction of Aurora advancing to the left, holding her cloak raised by the wind with both hands. Interesting choice of banded agate. Wear marks.

    Provenance: From the Sangiorgi collection (1886-1965). Private coll., Monaco, 1970's13/05/202; thance by descent. Christies sale December 2017, lot n.3 ; U.K. private collection.

  • A ROMAN BANDED AGATE INTAGLIO SET IN A GOLD BOX-SETTING. MYTHOLOGICAL SCENE.
    Lot 148

    A ROMAN BANDED AGATE INTAGLIO SET IN A GOLD BOX-SETTING. MYTHOLOGICAL SCENE.

    1st - 2nd century A.D.

    15 x 16 x 3 mm ; 1,7 grs

    A young man is discussing with an old one seated on the ground. Probably a dialogue between Socrates and a young male figure. Stone is brocken in two parts but well fix in the frame. Beautiful variety of banded agate. Wear marks.

    Provenance: From the collection of an European gentleman, acquired on the art market

  • A ROMAN CARNELIAN INTAGLIO. NIKE WITH A TROPHY.
    Lot 149

    A ROMAN CARNELIAN INTAGLIO. NIKE WITH A TROPHY.

    1st - 2nd century A.D.

    14 x 16 x 5 mm

    Still on its fragmentary iron mounting, the intaglio depicts Nike with a military trophy writing on a shield. Her right foot on a rock. In the field the latin letter "C" . Wear marks.

    Provenance: U.K collection acquired on the art market

  • A ROMAN RED JASPER INTAGLIO. HERCULES CAPTURES THE DOE OF CERINEA.
    Lot 150

    A ROMAN RED JASPER INTAGLIO. HERCULES CAPTURES THE DOE OF CERINEA.

    1st - 2nd century A.D.

    12 x 14 x 2 mm.

    The doe of Cerinea was, in Greek mythology, a doe with golden horns, silver and bronze legs that have been dedicated to Artemis by the nymph Taygete when the goddess had saved her from being pursued by Zeus. Cerinea's doe fled without ever stopping, bewitching those who pursued her, thus dragging them to a country from which they would never return; since she was a sacred doe, her blood could not be shed. When Heracles was commissioned by Eurystheus to capture it, initially he limited himself to chasing it: the doe took refuge by climbing a mountain called Artemisio and tried to cross the Ladon river, but during the crossing Heracles managed to capture it by hitting it with an arrow in one point of the cartilaginous paw, therefore devoid of blood vessels; then loading it on his shoulders he carried it to Arcadia. The doe was finally taken to Mycenae and released there. The subject rarely appears on the gems. In this stone the hero faces left and stands over the sacred doe, holding it by the horns and pressing his right knee on his back to block it. Hercules' body is in muscular tension showing off all its legendary strength. A club behind him. Probably inspired by a Greek model. Fine detailed execution for the size. The physiognomic features of the hero recall the Antonine portraits. Signs of wear.

    Provenance: U.K. private collection acquired in the british art market.

  • A FINE ROMAN TWO LAYERED CAMEO SET IN A GEORGIAN RING. VOTIVE SCENE.
    Lot 151

    A FINE ROMAN TWO LAYERED CAMEO SET IN A GEORGIAN RING. VOTIVE SCENE.

    1st century A.D.

    Stone 16x21 mm; int. Size 16,5x22 mm; 4,57 gr.

    A male character is standing, three-quarters facing right. With his right hand he holds a rod (or scepter), with his left hand he holds the bridle of his horse which is behind him, facing right in profile. The man is wearing a traveling cloak with his legs uncovered. On the left, a tree; to the right, a half-column with a cinerary urn above it. The scene probably requires more research for its full identification. Paoletti, in his glass impression collection, identified the subject (but without landscape and urn on the column) as one of the Dioscuri. The scene seems inspired by bas-reliefs. The male figure is characterized by physiognomic features that can probably be referred to the Augustan age. The horse is inspired by classical Greek models. The man seems to arrive in a bucolic place to contemplate or visit the incinerated remains of a family member or a comrade in arms.Very fine style and beautiful execution. Wear marks. Little missing on the edge and frame.

    For a very similar scene and style, see: L.P.Biroli Stefanelli, La Collezione Paoletti, vol. I, p. 41 n. 150 ("Polluce uno delli Dioscuri" from a sardonyx intaglio).

    Provenance: U.K. private collection acquired on the art market.

  • A LARGE ROMAN CARNELIAN INTAGLIO. EROTIC SCENE WITH A SATYR AND A RAM.
    Lot 152

    A LARGE ROMAN CARNELIAN INTAGLIO. EROTIC SCENE WITH A SATYR AND A RAM.

    1st - 2nd century A.D.

    17 x 20 x 3 mm.

    A satyr with an erected phallus threatens to rape from behind a ram, holding its fur on its back and a ribbon which the animal holds in its mouth. Groundline. Large size. Fine execution. Great subject. Wear marks

    For a similar scene: J. Boardman, C. Wagner, Masterpieces in miniature. Engraved gems from Prehistory to the present, p. 181 n. 167.

    Provenance: From the collection of an European gentleman, acquired on the art market

  • A ROMAN CARNELIAN INTAGLIO. EROTIC SCENE.
    Lot 153

    A ROMAN CARNELIAN INTAGLIO. EROTIC SCENE.

    1st century A.D.

    10x12x4,5 mm

    Erotic scene of two standing satyrs, each with a pedum. The older satyr appears to enter from behind the younger one, who looks back at him. Traces of the ancient iron mounting. Wear marks.

    Provenance: From a private collection, France, acquired on the London art market 1990s-early 2000s

  • A ROMAN CARNELIAN INTAGLIO. MYTHOLOGICAL SCENE.
    Lot 154

    A ROMAN CARNELIAN INTAGLIO. MYTHOLOGICAL SCENE.

    2nd century A.D.

    15x22x6 mm

    On the left, a dancing male character facing on the right a seated Pan on a rock. On top, a star. Probably an erotic scene. Large stone and wear marks.

    Provenance: U.K. private collection

  • A ROMAN RED JASPER INTAGLIO. EROS HUNTING WITH A DOG.
    Lot 155

    A ROMAN RED JASPER INTAGLIO. EROS HUNTING WITH A DOG.

    2nd century A.D.

    8 x 10 x 2 mm

    The winged god is facing left holding a spear with his dog. Groundline. Wear marks.

    Provenance: From the collection of an European gentleman, acquired on the art market

  • A ROMAN CARNELIAN INTAGLIO. DIOMEDES WITH PALLADIUM.
    Lot 156

    A ROMAN CARNELIAN INTAGLIO. DIOMEDES WITH PALLADIUM.

    1st-2nd century A.D.

    16x18x6 mm

    The seated hero is facing left, holding with his right hand the palladium. Groundline.Wear marks and traces of the iron mounting.

    For a similar iconography see: MORET, J.M., Les pierres gravées antiques représentant le rapt du Palladion, 1997

    Provenance: U.K. private collection

  • A ROMAN CARNELIAN INTAGLIO. WARRIOR.
    Lot 157

    A ROMAN CARNELIAN INTAGLIO. WARRIOR.

    1st - 2nd century A.D.

    11x14x3 mm

    The warrior faces left and is characterized by a muscular and powerful body. He holds the sheathed sword in his right hand, the spear in his left. Below, the shield; long cloak over the shoulders. Rocks behind the figure. Wear marks and chip on the edge.

    Provenance: U.K private collection

  • A ROMAN JASPER INTAGLIO. VEILED PRIESTESS.
    Lot 158

    A ROMAN JASPER INTAGLIO. VEILED PRIESTESS.

    2nd-3rd century A.D.

    13,5x15x2 mm

    The veiled woman is seated facing left, holding in her right hand the palladium and her left one the scepter. Groundline. Probably a vestale or Cassander. Minor chips on the edge.

    Provenance: U.K. private collection

  • A ROMAN FRAGMENTARY GOLD RING SET WITH A CARNELIAN INTAGLIO. BUST OF ASCLEPIOS.
    Lot 159

    A ROMAN FRAGMENTARY GOLD RING SET WITH A CARNELIAN INTAGLIO. BUST OF ASCLEPIOS.

    1st-2nd century A.D.

    Stone 13x15 mm; 2,24 gr

    The god is facing left, the back in three-quarters. He is laureated and with his stick intertwined by a snake. Wear marks. The mounting is fragmentary (hoop missing).

    Provenance: U.K. private collection

  • A ROMAN CARNELIAN INTAGLIO. BUST OF JUPITER.
    Lot 160

    A ROMAN CARNELIAN INTAGLIO. BUST OF JUPITER.

    1st century A.D.

    7x10,5x3 mm

    The divinity is turned to the left, with the modius on top of the head and the tunicated bust. Considering the very small size of the stone, the work is performed with great technical skill. Wear marks.

    Provenance: U.K private collection

  • A ROMAN AGATE INTAGLIO. BUST OF ZEUS SERAPIS.
    Lot 161

    A ROMAN AGATE INTAGLIO. BUST OF ZEUS SERAPIS.

    1st - 2nd century A.D.

    14x18x5 mm

    The effigy is facing left, with the tunicated bust and the modius on top of the head. The deity is engraved in the caramel brown layer of the agate over the thicker white layer, creating a attractive contrasted effect. Wear marks.

    Provenance: The Gustave Mustaki collection, exported from Egypt under licence c.1950 and gifted to Elsa MacLellan, his daughter, thence by descent.

  • A ROMAN AGATE INTAGLIO. BUST OF ZEUS.
    Lot 162

    A ROMAN AGATE INTAGLIO. BUST OF ZEUS.

    1st century A.D.

    12x14x6 mm;

    The god is facing left wearing the modius. Wear marks.

    Provenance: Formerly Swiss private collection, acquired in the early 1990's, then by descent, family collection since 1998. This lot is sold under temporary import status.

  • A ROMAN SARD INTAGLIO SET IN A LATER GOLD RING. BUST OF ZEUS SERAPIS.
    Lot 163

    A ROMAN SARD INTAGLIO SET IN A LATER GOLD RING. BUST OF ZEUS SERAPIS.

    1st century B.C. - 1st century A.D.

    Stone 10x12 mm; Int. Size 15x18 mm; 5,80 gr

    After a Greek Late Hellenistic model. Frontal bust of Zeus Serapis with a large ornated modius on top of the head. The stone is cracked across the eye. Some missing on the modius. Wear marks.

    Provenance: U.S. private collection, acquired on the art market. This lot is sold under temporary import status.

  • AN EASTERN ROMAN CARNELIAN INTAGLIO SET IN A REVIVAL GOLD RING. HEAD OF JUPITER SERAPIS.
    Lot 164

    AN EASTERN ROMAN CARNELIAN INTAGLIO SET IN A REVIVAL GOLD RING. HEAD OF JUPITER SERAPIS.

    2nd - 3rd century A.D.

    Stone 12x14 mm; int. size 18,5x19 mm; 13,50 gr

    With lobed hoop, flatten within and surmounted by a large oval box setting with a twisted gold wire. The intaglio shows the god facing left, characterized by a long beard and hair adorned with a band and stylized triangular modius. Wear marks.

    Provenance: U.K. private collection

  • A ROMAN RED JASPER INTAGLIO. BUST OF ZEUS SERAPIS.
    Lot 165

    A ROMAN RED JASPER INTAGLIO. BUST OF ZEUS SERAPIS.

    1st - 2nd century A.D.

    10 x 12 x 2 mm

    Facing left, with radiated crown and modius. Chip on the edge. Wear marks.

    Provenance: U.K collection acquired on the art market

  • A ROMAN BURNT AGATE INTAGLIO SET IN A MODERN GOLD RING. BUST OF HERMES.
    Lot 166

    A ROMAN BURNT AGATE INTAGLIO SET IN A MODERN GOLD RING. BUST OF HERMES.

    1st - 2nd century A.D.

    Stone 9x12 mm; int. size 16x19 mm; 17,42 gr

    The deity is depicted with the three-quarters bust to the right and the head slightly three-quarters facing to the left. The bust is draped, the wings on the head and the caduceus behind the shoulder. Burnt stone.

    Provenance: From a private collection, France, acquired from Galerie Mariaud de Serres, Paris, in the early 2000s

  • A ROMAN SARD INTAGLIO. BUST OF HERMES WITH THE CADUCEUS.
    Lot 167

    A ROMAN SARD INTAGLIO. BUST OF HERMES WITH THE CADUCEUS.

    1st-2nd century A.D.

    12,5x15x2 mm

    Bust of young Mercury, almost to the chest, facing left. In front of him, the caduceus. Nice vivid tone. Wear marks.

    Provenance: From a private collection, France, acquired From the Galerie de Serres, Paris in the 1990s-early 2000s

  • A ROMAN NICOLO INTAGLIO. BUST OF HERMES WITH  A STAR.
    Lot 168

    A ROMAN NICOLO INTAGLIO. BUST OF HERMES WITH A STAR.

    1st - 2nd century A.D.

    7,5 x 9,5 x 2 mm.

    Bust of young Hermes facing left with winged cap and star.

    Provenance: U.K. private collection acquired in the british art market.

Lots from 145 to 168 of 471
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ASTA 267 - GLITTICA


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  • 7 July 2023 hours 12:30 ASTA 267 - GLITTICA (1 - 471)

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INFORMAZIONI SULL’ASTA 267


1.     Modalità di partecipazione 

L’asta sarà battuta il 7 luglio 2023 a partire dalle ore 12:30 BST (13:30 CEST) al seguente indirizzo: 

13 Hanover Square, Mayfair

London W1S 1HN


Sono previste le seguenti modalità di partecipazione: di persona presso i locali in cui l’asta sarà battuta, telefonica, online previa registrazione sul nostro sito www.bertolamifineart.com o sui portali partner (vedi elenco sotto riportato), tramite offerta scritta fatta pervenire entro le 9:00 BST (10:00 CEST) di venerdì 7 luglio.

a.     Partecipazione in sala

I clienti non conosciuti e che non si fossero già registrati dovranno essere provvisti di un valido documento di identità.

b.    Partecipazione telefonica 

É possibile fare le proprie offerte durante l’asta tramite telefono guidati da un nostro operatore. Per accedere a questa modalità di partecipazione sarà necessario prenotarsi entro le 9:00 BST (10:00 CEST) di venerdì 7 luglio specificando i lotti per i quali si intende entrare in gara e un recapito telefonico. I clienti così prenotati saranno chiamati al numero di telefono da loro indicato alcuni lotti prima di quelli per cui avranno manifestato interesse

La prenotazione per la partecipazione telefonica ha il valore di un’offerta scritta alla base d’asta indicata in catalogo.  

Per prenotare la partecipazione telefonica compilare l’apposito modulo di offerta 

(Per info:  

+39 32609795 info@bertolamifineart.com - amministrazione@bertolamifineart.com) 


c.     Partecipazione online attraverso il nostro sito o i portali partner 

È possibile fare le proprie offerte durante l’asta registrandosi sul nostro sito www.bertolamifineart.com oppure sui seguenti portali partner:

Arsvalue (www.arsvalue.com)

Biddr (www.biddr.com)

Drouot (www.drouot.com)

Emax.bid (www.emax.bid.com)

Invaluable (www.invaluable.com)

LiveAuctioneers (www.liveauctioneers.com)

Sixbid (www.sixbid.com)

The Saleroom (www.the-saleroom.com)

 

d.    Partecipazione tramite offerta scritta 

È infine possibile formulare le proprie offerte per iscritto compilando l’apposito modulo di offerta per procura o anche tramite testo libero. Le offerte scritte dovranno essere ricevute da Bertolami Fine Arts entro le ore 9:00 BST (10:00 CEST) di venerdì 7 luglio e potranno essere trasmesse tramite e-mail (amministrazione@bertolamifineart.com – info@bertolamifineart.com),  

per posta o consegnate presso i nostri uffici di Piazza Lovatelli 1 – 00186 Roma.

L’offerta scritta ha il valore di autorizzazione al banditore ad effettuare offerte per conto del firmatario. 

 

2. Esposizione

I lotti saranno visibili dal 4 al 6 luglio 2023 dalle 9:00 alle 17:30 BST nella sede in cui avrà luogo l’asta:

13 Hanover Square, Mayfair

London W1S 1HN 


3.     Offerte pre asta

 Dalla data di pubblicazione del catalogo online sino alle ore 9:00 BST (10:00 CEST) di venerdì 7 luglio sarà possibile:

a. cominciare ad effettuare offerte sul sito www.bertolamifineart.com o sui portali partner come elencati al punto c del paragrafo 1

b. inviare le offerte scritte di cui al punto d del paragrafo 1

Nel caso di:

a. unica offerta pre asta su un lotto

e in assenza di offerte di rilancio durante l’asta, il lotto sarà aggiudicato alla base d’asta anche ove l’unica offerta pervenuta fosse di importo superiore (l’importo dell’offerta pre asta indica infatti l’offerta massima che l’offerente è disposto ad effettuare) 

Esempio: base d’asta £ 1.000 – Unica offerta pre-asta £ 1.500 – Aggiudicazione a £ 1.000

b. offerte pre asta multiple dello stesso importo su uno stesso lotto 

e in assenza di offerte di rilancio durante l’asta, il lotto sarà aggiudicato all’autore dell’offerta con data anteriore 

c. offerte pre asta multiple di importi diversi su un medesimo lotto

e in assenza di offerte di rilancio durante l’asta, il lotto sarà aggiudicato all’autore dell’offerta più alta a un prezzo di aggiudicazione calcolato aggiungendo all’importo dell’offerta immediatamente inferiore un incremento prestabilito nella tabella pubblicata in calce (Tabella A)

Esempio: offerta cliente A £ 1.270, offerta cliente B £ 1800. Vince il cliente B non al prezzo di aggiudicazione di £ 1.800 ma di £ 1.370. Viene cioè applicato all’importo dell’offerta immediatamente inferiore l’incremento automatico di £ 100 previsto dalla tabella quando le offerte sono comprese nello scaglione £ 1.000-1.999. 

 

4.     Modalità di pagamento

Gli acquirenti dei lotti vincenti potranno scegliere tra le seguenti modalità di pagamento:

- assegno bancario o circolare non trasferibile intestato a Bertolami Fine Arts LTD (nel caso di pagamenti effettuati tramite assegni esteri aggiungere £ 10 all’importo della fattura);

- carta di credito;

- Paypal;

- Bonifico bancario a favore di Bertolami Fine Arts LTD.

Coordinate bancarie per pagamenti in Sterline britanniche (GBP):

Barclays, IBAN: GB68 BUKB 2057 7690 1999 66 – Account Nr. 90199966 - SWIFT/BIC: BUKBGB22

Coordinate bancarie per pagamenti in Euro:

Barclays, IBAN: GB69 BUKB 2057 7642 5454 00– Account Nr. 42545400 - SWIFT/BIC: BUKBGB22

(nel caso di pagamenti effettuati tramite bonifico extra-europeo aggiungere £ 10 all’importo della fattura)

Nota bene:

le fatture pagate tramite assegno, contanti o bonifico bancario sono esenti dal pagamento delle tasse amministrative del 3,5%

 

5. Diritti d’asta

L’acquirente corrisponderà a Bertolami Fine Arts una commissione d’asta pari al 27% del prezzo di aggiudicazione di ciascun lotto. 

Sui lotti acquistati tramite partecipazione on line sul sito www.bertolamifineart.com o sui portali partner si applicherà un’ulteriore commissione così quantificata:

www.bertolamifineart.com +1,5% del prezzo di aggiudicazione

Drouot +3% del prezzo di aggiudicazione

Invaluable +5% del prezzo di aggiudicazione

LiveAuctioneers +5% del prezzo di aggiudicazione

The Saleroom +3% del prezzo di aggiudicazione 

 

6.     Costi ulteriori

I costi di spedizione e eventuali costi doganali sono a carico del compratore. 

Nel caso in cui, per contestazioni ingiustificate, i beni dovessero essere restituiti a Bertolami Fine Arts, le spese doganali e di spedizione sono a carico del cliente. 

 

7.     Condizioni di vendita

Le condizioni di vendita che regolano il rapporto tra Bertolami Fine Art e la gentile clientela che prenderà parte alle aste sono pubblicate in ogni catalogo. Poiché esse si intendono automaticamente accettate dal momento della partecipazione all’asta, si prega di leggerle con attenzione.

In caso di discordanza tra la versione delle condizioni di vendita pubblicata su catalogo cartaceo e quella pubblicata su catalogo online, prevale la versione online. 

 

8.     Pubblicazione dei risultati d’asta 

L’elenco delle aggiudicazioni sarà pubblicato da Bertolami Fine Arts sul proprio sito, www.bertolamifineart.com, a soli fini informativi, entro dieci giorni dalla chiusura dell’asta. 

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