ASTA 267 - GLITTICA

ASTA 267 - GLITTICA

Friday 7 July 2023 hours 12:30 (UTC +00:00)
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  • A FINE ROMAN AMETHYST INTAGLIO. GORGONA MASK.
    Lot 265

    A FINE ROMAN AMETHYST INTAGLIO. GORGONA MASK.

    1st - 2nd century A.D.

    14x17,5x6,5 mm

    Beautiful frontal mask of Medusa with wavy hair, wings on top of the head, serpents tied under her chin. The face is rounded, with furrowed eyebrows, the eyes opened but absorbed in a sweet melancholy as is the mouth; the chin small and globular. Extraordinary color and very refined execution inspired by Greek models. Behind the gem is convex slightly pointed. Wear marks.

    Provenance: U.K collection acquired on the art market

  • A ROMAN ONYX CAMEO. GORGONA.
    Lot 266

    A ROMAN ONYX CAMEO. GORGONA.

    3rd century A.D.

    16x17x8 mm

    Winged head of Gorgona, with snakes. The face is turned slightly by three-quarters. Small missing on the nose and on the edge. Wear marks and traces of deposits.

    M. Henig, The Content Cameos, pp. 88-92; Henig, Molesworth, The Complete Content Cameos, pp. 183 - 192 ("Gorgoneia").

    Provenance: From the Hekmat & madeleine Nassif Collection, formed between 1933 and 1987 ; U.K. private collection

  • A ROMAN GNOSTIC HEMATITE INTAGLIO. ANT AND HELIOS-HORUS-MIÔS SEATED ON A LION.
    Lot 267

    A ROMAN GNOSTIC HEMATITE INTAGLIO. ANT AND HELIOS-HORUS-MIÔS SEATED ON A LION.

    2nd-3rd century A.D.

    11x14x3,5 mm

    On one side an ant; on the reverse, a character seated on a lion facing left. Probably the god Helios-Horus-Miôs frequently represented on gnostic gems riding a lion. Groundline. In the field, charakteres. Wear marks.

    For a similar iconography see: MASTROCINQUE, les Intailles Magiques du département des Monnaies, Médailles et Antiques, 2014, n°49-54.

    Provenance: U.K. private collection

  • A ROMAN MAGICAL DARK GREEN JASPER INTAGLIO. EROS TIED TO A COLUMN WITH INSCRIPTION.
    Lot 268

    A ROMAN MAGICAL DARK GREEN JASPER INTAGLIO. EROS TIED TO A COLUMN WITH INSCRIPTION.

    2nd - 3rd century A.D.

    12,5x16x3 mm

    Eros is facing left, tied to a column with the inscription "ΔΙΚΑΙΟΣ", meaning "just deserved". A griffin with the wheel (the Nemesis) over the column. Magical stone referred to the allegory of Love and the Revenge. Missing on the edge. Wear marks.

    Provenance: From a private collection, France, acquired on the art market 1990s-early 2000s.

  • A ROMAN NICOLO INTAGLIO. BUST OF SERAPIS WITH A GREEK INSCRIPTION. 
    Lot 269

    A ROMAN NICOLO INTAGLIO. BUST OF SERAPIS WITH A GREEK INSCRIPTION. 

    2nd - 3rd century A.D.

    13x16x4 mm

    The god is facing left wearing the chiton and himation, with his typical foliated beard and hair surmounted by the modius. Beneath, globe and a pillar on a base. The inscription « ELL-AΔΙ » relative to Greece . Slight ancient natural cracks on the surface of the stone and traces of deposit.

    For a similar iconography see: Hermitage Museum, Saint Petersburg, n. 5889; Guilhou Collection, DE RICCI (p.34, n°218, pl. IV).

    Provenance: U.K. private collection

  • A ROMAN GNOSTIC RED JASPER INTAGLIO. SEATED HARPOCRATES ON A LOTUS WITH INSCRIPTIONS.
    Lot 270

    A ROMAN GNOSTIC RED JASPER INTAGLIO. SEATED HARPOCRATES ON A LOTUS WITH INSCRIPTIONS.

    2nd-3rd century A.D.

    12x16x2 mm

    Seated right on a lotus with 2 buds on a groundline. The head surmounted by the solar disc, hand raised to the mouth and flagellum. Around " Χω/ΒωΧ ". Around, inscription "ΧΑΒΡΑΧ/ΦΝΕCΧΗΡ/ΦΙΧΡΟΦΝΥ/ΡωΦω". The inscription is a variation of the χαβραχ-logos. A praxis known from a papyrus (PGM LXI 1-38) specifies that love charms had to be incised with the image of Horus on a lotus flower and the magical name Abraxas. Pieces with the Horus-scheme used as love charms. On the backside, inscription " ΙΑΗΙΕΗ/ΙΟΥωΗΙΗ". This a plinths of vowels which were to multiply the strength of the magic words.

    See: A.Mastrocinque, Les intailles magiques du Departe;emt des Monnaies Medailles et Antiques, Paris, n11 and 30.

    Provenance: Giorgio Sangiorgi (1886-1965), Rome, acquired and brought to Switzerland, late 1930s; thence by continuous descent to the current owner. This lot is sold under temporary import status.

  • A ROMAN MAGICAL BLOODSTONE INTAGLIO. HARPOKRATES AND HELIOS.
    Lot 271

    A ROMAN MAGICAL BLOODSTONE INTAGLIO. HARPOKRATES AND HELIOS.

    2nd - 3rd century A.D

    12x15x3 mm

    On one side, the god is seated on a stylized lotus flower and facing right, encrowned and holding a whip in his right hand. Groundline. On the reverse, portrait of Helios facing left.

    Provenance: The Gustave Mustaki collection, exported from Egypt under licence c.1950 and gifted to Elsa MacLellan, his daughter, thence by descent.

  • A ROMAN MAGICAL BLOODSTONE INTAGLIO. HARPOKRATES AND ANUBIS.
    Lot 272

    A ROMAN MAGICAL BLOODSTONE INTAGLIO. HARPOKRATES AND ANUBIS.

    2nd - 3rd century A.D.

    14x18x3 mm

    The child god is seated inside a sun hold by a kneeled Anubis, arms upraised. In the field, lotus flowers. Groundline.

    Provenance: The Gustave Mustaki collection, exported from Egypt under licence c.1950 and gifted to Elsa MacLellan, his daughter, thence by descent.

  • A ROMAN GNOSTIC GREEN AND BROWN JASPER INTAGLIO. PHOENIX.
    Lot 273

    A ROMAN GNOSTIC GREEN AND BROWN JASPER INTAGLIO. PHOENIX.

    2nd-3rd century A.D.

    16x19x3,5 mm

    Standing right with radiated crown. Groundline. In the field, a star and "ΜΛLΗΟ". Probably a figuration of the egyptian divinity Benu, linked with the Sun, creation, and rebirth. He may have been the original inspiration for the phoenix legends that developed in Greek mythology.

    Provenance: Formerly in the private collection of J.A. Mariaud de Serres. This lot is sold under temporary import status.

  • A ROMAN GNOSTIC YELLOW JASPER INTAGLIO. LIZARD WITH CRESCENT MOON AND LETTERS. INSCRIPTION.
    Lot 274

    A ROMAN GNOSTIC YELLOW JASPER INTAGLIO. LIZARD WITH CRESCENT MOON AND LETTERS. INSCRIPTION.

    2nd-3rd century A.D.

    13x19x2,5 mm

    On one side, lizard with crescent moon on top, around « EKBALE », in the sense « to remove(the speck from your eye) » . On the other side « ΟΥΡΙΗΛ-ΟΥΡΙΗΛ » meaning « Uriel, Uriel ». The name of this Archangel is used on magical to invoke his recovery powers. The representation of a lizard on gnostic gems was used as protection or remedy for eyes diseases. Wear marks.

    Provenance: U.K. private collection

  • A ROMAN GNOSTIC ORANGE JASPER INTAGLIO. CHNOUBIS WITH GREEK INSCRIPTION.
    Lot 275

    A ROMAN GNOSTIC ORANGE JASPER INTAGLIO. CHNOUBIS WITH GREEK INSCRIPTION.

    2nd - 3rd century A.D.

    16x23x7 mm

    On one side, Chnoubis, the lion-headed snake with solar crown facing a mummified Anubis. Around greek inscription to protect the stomach. On the otherside, inside an ouroboros a lion surmounted by a winged scarab and Abraxas. Signs of wears on the surface of the stone. 

    Provenance: U.K. private collection

  • A ROMAN YELLOW JASPER INTAGLIO. LION WITH ASTROLOGICAL ATTRIBUTES.
    Lot 276

    A ROMAN YELLOW JASPER INTAGLIO. LION WITH ASTROLOGICAL ATTRIBUTES.

    2nd century A.D.

    10 x 12 x 2 mm

    Facing left. On top, crescent moon. Beneath, star. Groundline.

    Provenance: U.K collection acquired on the art market

  • A LARGE GREEN AND YELLOW JASPER MAGICAL INTAGLIO. BES-PANTHEOS.
    Lot 277

    A LARGE GREEN AND YELLOW JASPER MAGICAL INTAGLIO. BES-PANTHEOS.

    Possibly 2nd - 3rd A.D. and 20th century?

    12x16x5 mm

    The deity is depicted with the bearded head of Bes encrowned with a composite crown. Head surrounds by animals protome. With human body, he wears a double pair of wings and arms ending with was scepters. In his right hand he holds the flagellum and the heka, meanwhile in the left, he holds a scorpion. He wears jackal-heads sandals on top of an ouroboros with inside, turtle, crocodile, cobra and a quadrupede. the ityphallic gesture is typical to this divinity sy;bolizing his creative nature. On the backside; inside an ouroboros, a vase with the Kheper at the base and three large phallus emerging. Between, two stars. On each side, a scepter with snake and a column with a canopic jar. The vase is supported by a crocodile facing right. Beneath, three snakes and a lion facin left. In the field, "ΑΧΑΝΑ". Chips on the edge, wear marks.

    For a similar gem Michel 2001 / Die Magischen Gemmen im Britischen Museum (161)
    Bonner 1950 / Studies in magical amulets, chiefly Graeco-Egyptian
    CBd / The Campbell Bonner Magical Gems Database Online (559)

    Provenance: U.K. private collection acquired on the british art market.

  • A ROMAN GNOSTIC HEMATITE INTAGLIO. SEATED MALE CHARACTER.
    Lot 278

    A ROMAN GNOSTIC HEMATITE INTAGLIO. SEATED MALE CHARACTER.

    2nd-3rd century A.D.

    20x29x5 mm

    Seated front, with bare chest, wearing a long draped skirt and holding in his right hand a bowl with an animalhead on top meanwhile his left hand holds a scepter. Under his feet, a snake. In the field, charakter. On top, two stars. On the backside; inscription (partially missing) "ΑΒΑΖΑ/ΑΛΕΑΠ/VΚΛΙΤΑ/ΑΒΑΗΛ/ΘΑΡV*" . The syncretic figure is characterized by male features, hirsute beard and hair with animal ears. His attributes probably refers to a syncretic divinity or a Decan (?). Wear marks. Rare iconography. Fragmentary (damaged).



    Provenance: This lot is sold under temporary import status.

  •  A FINE ROMAN MAGICAL CITRINE INTAGLIO. SEATED DOUBLE-HEADED BABOON WITH INSCRIPTION.
    Lot 279

    A FINE ROMAN MAGICAL CITRINE INTAGLIO. SEATED DOUBLE-HEADED BABOON WITH INSCRIPTION.

    2nd-3rd century A.D.

    11x12x7mm

    Showing a seated baboon with also a ram's head. The heads encrowned with the uraeus cobra and the sun. The baboon facing right his holding in his right hand a heart-shaped vase with drops to the ground. Groundline. This intriguing iconography refers to the egyptian divinities Thot as a baboon and Khnoum as a ram, both gods considered in the Ermopolis cosmogony as cretaing gods. On the backside, inscription "ΧΟΜΑCΟΜ". Beautiful conservation and very bright color of the stone.

    Provenance: Ex Sangiorgi collection, acquired in the late 19th-early 20th century. This lot is sold under temporary import status.

  • A ROMAN MAGICAL CARNELIAN INTAGLIO. PANTHEISTIC FIGURE WITH INSCRIPTION.
    Lot 280

    A ROMAN MAGICAL CARNELIAN INTAGLIO. PANTHEISTIC FIGURE WITH INSCRIPTION.

    2nd century A.D.

    10x14x3 mm

    The god is standing front, his head facing right. He wears the atef crown, Amon's horns and an armour. In his right hand, he holds a spear, meanwhile in the left, a weapon (probably). In the field, "ΔΟΜΙ". Groundline. Wear marks. Chips and missing on the edge.

    Provenance: The Gustave Mustaki collection, exported from Egypt under licence c.1950 and gifted to Elsa MacLellan, his daughter, thence by descent.

  • A ROMAN CARNELIAN INTAGLIO. CANOPUS VASE.
    Lot 281

    A ROMAN CARNELIAN INTAGLIO. CANOPUS VASE.

    1st - 2nd century A.D.

    13x15x4 mm

    The god Osiris is presented in a canopic jar, wearing the atef crown and facing left. Groundline. Wear marks.

    Provenance: The Gustave Mustaki collection, exported from Egypt under licence c.1950 and gifted to Elsa MacLellan, his daughter, thence by descent.

  • AN EARLY CHRISTIAN RED JASPER INTAGLIO. CROSS AND EAGLE.
    Lot 282

    AN EARLY CHRISTIAN RED JASPER INTAGLIO. CROSS AND EAGLE.

    3rd-4th century A.D.

    12x17x3 mm

    In the center the cross, on the left the letter "E", on the right an eagle. Traces of deposits on the surface of the stone. Intact. Wear marks.

    Provenance: U.K. private collection

  • A ROMAN GARNET INTAGLIO. YOUNG SHEPHERD WITH HIS DOG AND GREEK INSCRIPTIONS.
    Lot 283

    A ROMAN GARNET INTAGLIO. YOUNG SHEPHERD WITH HIS DOG AND GREEK INSCRIPTIONS.

    3rd century A.D.

    11x13x2 mm

    The young draped character is standing front, his left holding a short stick, meanwhile his right arm stretched toward his dog. His head turned left is facing a greek inscription « Malxos zebei da »—Malxos leaves. Groundline. Wear marks.

    Provenance: U.K. private collection

  • A LOT OF TWO ROMAN MAGICAL HARDSTONE INTAGLIOS.
    Lot 284

    A LOT OF TWO ROMAN MAGICAL HARDSTONE INTAGLIOS.

    2nd - 3rd century A.D.

    10 x 13 x 4 mm; 10 x 14 x 3 mm.

    A green jasper intaglio, with a standing figure surrounded by a magical inscription; a larger carnelian intaglio with a conjoined double bust of Eros playing the lyra and the double aulos, with a greek inscription. Wear marks.

    Provenance: U.K. private collection acquired in the british art market.

  • A ROMAN BLOODSTONE INTAGLIO. SNAKE.
    Lot 285

    A ROMAN BLOODSTONE INTAGLIO. SNAKE.

    2nd - 3rd century A.D.

    8 x 10 x 2 mm

    The reptile is facingf left, the mouth wide open. Probably a magical gem. Wear marks.

    Provenance: From the collection of an European gentleman, acquired on the art market

  • A RARE EARLY CHRISTIAN ROCK CRYSTAL INTAGLIO. 1ST MIRACLE OF THE CHRIST. THE MIRACULOUS DRAUGHT OF FISHES.
    Lot 286

    A RARE EARLY CHRISTIAN ROCK CRYSTAL INTAGLIO. 1ST MIRACLE OF THE CHRIST. THE MIRACULOUS DRAUGHT OF FISHES.

    3rd-4th century A.D.

    24x33x5 mm

    The scene shows two male characters pulling a ship on the shore; on the ship, a fisherman holds the net full of fish and the other the rudder. On the left welcoming them; the haloed Christ. Large size of the stone with great brightness. Chips on the edge, wear marks. The scene is of great historical importance and rarity.

    For a similar iconography see: SPIER, J., Late Antique and Early Christian Gems, pl.132, Cat.n X70

    Provenance: U.K. private collection acquired on the british art market.

  • A RARE ROMAN ROCK CRYSTAL SHELL.
    Lot 287

    A RARE ROMAN ROCK CRYSTAL SHELL.

    1st - 2nd century A.D.

    30 x 27 x 11 mm

    Decorative element in the shape of a shell characterized by radial ribs (of the type Acanthocardia tuberculata, bivalve). Through hole with deposits. Slightly concave inside. Wear marks. These shells in rock crystal are usually considered playing pieces (game counter), even if it is not fully proven, otherwise funerary ex voto later used as a pendant (through hole). Otherwise as toiletry elements to contain the make-up for the funerary equipment. Rare.

    British Museum Database: Rock crystal cockle-shell, probably a game-counter. inv. 1923,0401.1181; inv. 1923,0401.1182 (samew size) ; Rock Crystal Pendant in the Shape of a Shell From a woman’s grave c.1st Century AD, Benaki Museum.

    Provenance: From the collection of an European gentleman, acquired on the art market

  • A FINE ROMAN GOLD AND ROCK CRYSTAL PERFUME BOTTLE.
    Lot 288

    A FINE ROMAN GOLD AND ROCK CRYSTAL PERFUME BOTTLE.

    2nd-3rd century A.D.

    H max 72 mm; 22,41 gr.

    Oblong in shape, carved from a single block of rock crystal and perforated in the center, the attachment formed of a hammered gold plate, surmounted by a semi-spherical lid with a hoop. Three suspension hooks holding chains of gold links. Good state of conservation. Slight wear marks. Rare.

    Provenance: U.K. private collection acquired on the art market.

Lots from 265 to 288 of 471
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ASTA 267 - GLITTICA


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  • 7 July 2023 hours 12:30 ASTA 267 - GLITTICA (1 - 471)

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INFORMAZIONI SULL’ASTA 267


1.     Modalità di partecipazione 

L’asta sarà battuta il 7 luglio 2023 a partire dalle ore 12:30 BST (13:30 CEST) al seguente indirizzo: 

13 Hanover Square, Mayfair

London W1S 1HN


Sono previste le seguenti modalità di partecipazione: di persona presso i locali in cui l’asta sarà battuta, telefonica, online previa registrazione sul nostro sito www.bertolamifineart.com o sui portali partner (vedi elenco sotto riportato), tramite offerta scritta fatta pervenire entro le 9:00 BST (10:00 CEST) di venerdì 7 luglio.

a.     Partecipazione in sala

I clienti non conosciuti e che non si fossero già registrati dovranno essere provvisti di un valido documento di identità.

b.    Partecipazione telefonica 

É possibile fare le proprie offerte durante l’asta tramite telefono guidati da un nostro operatore. Per accedere a questa modalità di partecipazione sarà necessario prenotarsi entro le 9:00 BST (10:00 CEST) di venerdì 7 luglio specificando i lotti per i quali si intende entrare in gara e un recapito telefonico. I clienti così prenotati saranno chiamati al numero di telefono da loro indicato alcuni lotti prima di quelli per cui avranno manifestato interesse

La prenotazione per la partecipazione telefonica ha il valore di un’offerta scritta alla base d’asta indicata in catalogo.  

Per prenotare la partecipazione telefonica compilare l’apposito modulo di offerta 

(Per info:  

+39 32609795 info@bertolamifineart.com - amministrazione@bertolamifineart.com) 


c.     Partecipazione online attraverso il nostro sito o i portali partner 

È possibile fare le proprie offerte durante l’asta registrandosi sul nostro sito www.bertolamifineart.com oppure sui seguenti portali partner:

Arsvalue (www.arsvalue.com)

Biddr (www.biddr.com)

Drouot (www.drouot.com)

Emax.bid (www.emax.bid.com)

Invaluable (www.invaluable.com)

LiveAuctioneers (www.liveauctioneers.com)

Sixbid (www.sixbid.com)

The Saleroom (www.the-saleroom.com)

 

d.    Partecipazione tramite offerta scritta 

È infine possibile formulare le proprie offerte per iscritto compilando l’apposito modulo di offerta per procura o anche tramite testo libero. Le offerte scritte dovranno essere ricevute da Bertolami Fine Arts entro le ore 9:00 BST (10:00 CEST) di venerdì 7 luglio e potranno essere trasmesse tramite e-mail (amministrazione@bertolamifineart.com – info@bertolamifineart.com),  

per posta o consegnate presso i nostri uffici di Piazza Lovatelli 1 – 00186 Roma.

L’offerta scritta ha il valore di autorizzazione al banditore ad effettuare offerte per conto del firmatario. 

 

2. Esposizione

I lotti saranno visibili dal 4 al 6 luglio 2023 dalle 9:00 alle 17:30 BST nella sede in cui avrà luogo l’asta:

13 Hanover Square, Mayfair

London W1S 1HN 


3.     Offerte pre asta

 Dalla data di pubblicazione del catalogo online sino alle ore 9:00 BST (10:00 CEST) di venerdì 7 luglio sarà possibile:

a. cominciare ad effettuare offerte sul sito www.bertolamifineart.com o sui portali partner come elencati al punto c del paragrafo 1

b. inviare le offerte scritte di cui al punto d del paragrafo 1

Nel caso di:

a. unica offerta pre asta su un lotto

e in assenza di offerte di rilancio durante l’asta, il lotto sarà aggiudicato alla base d’asta anche ove l’unica offerta pervenuta fosse di importo superiore (l’importo dell’offerta pre asta indica infatti l’offerta massima che l’offerente è disposto ad effettuare) 

Esempio: base d’asta £ 1.000 – Unica offerta pre-asta £ 1.500 – Aggiudicazione a £ 1.000

b. offerte pre asta multiple dello stesso importo su uno stesso lotto 

e in assenza di offerte di rilancio durante l’asta, il lotto sarà aggiudicato all’autore dell’offerta con data anteriore 

c. offerte pre asta multiple di importi diversi su un medesimo lotto

e in assenza di offerte di rilancio durante l’asta, il lotto sarà aggiudicato all’autore dell’offerta più alta a un prezzo di aggiudicazione calcolato aggiungendo all’importo dell’offerta immediatamente inferiore un incremento prestabilito nella tabella pubblicata in calce (Tabella A)

Esempio: offerta cliente A £ 1.270, offerta cliente B £ 1800. Vince il cliente B non al prezzo di aggiudicazione di £ 1.800 ma di £ 1.370. Viene cioè applicato all’importo dell’offerta immediatamente inferiore l’incremento automatico di £ 100 previsto dalla tabella quando le offerte sono comprese nello scaglione £ 1.000-1.999. 

 

4.     Modalità di pagamento

Gli acquirenti dei lotti vincenti potranno scegliere tra le seguenti modalità di pagamento:

- assegno bancario o circolare non trasferibile intestato a Bertolami Fine Arts LTD (nel caso di pagamenti effettuati tramite assegni esteri aggiungere £ 10 all’importo della fattura);

- carta di credito;

- Paypal;

- Bonifico bancario a favore di Bertolami Fine Arts LTD.

Coordinate bancarie per pagamenti in Sterline britanniche (GBP):

Barclays, IBAN: GB68 BUKB 2057 7690 1999 66 – Account Nr. 90199966 - SWIFT/BIC: BUKBGB22

Coordinate bancarie per pagamenti in Euro:

Barclays, IBAN: GB69 BUKB 2057 7642 5454 00– Account Nr. 42545400 - SWIFT/BIC: BUKBGB22

(nel caso di pagamenti effettuati tramite bonifico extra-europeo aggiungere £ 10 all’importo della fattura)

Nota bene:

le fatture pagate tramite assegno, contanti o bonifico bancario sono esenti dal pagamento delle tasse amministrative del 3,5%

 

5. Diritti d’asta

L’acquirente corrisponderà a Bertolami Fine Arts una commissione d’asta pari al 27% del prezzo di aggiudicazione di ciascun lotto. 

Sui lotti acquistati tramite partecipazione on line sul sito www.bertolamifineart.com o sui portali partner si applicherà un’ulteriore commissione così quantificata:

www.bertolamifineart.com +1,5% del prezzo di aggiudicazione

Drouot +3% del prezzo di aggiudicazione

Invaluable +5% del prezzo di aggiudicazione

LiveAuctioneers +5% del prezzo di aggiudicazione

The Saleroom +3% del prezzo di aggiudicazione 

 

6.     Costi ulteriori

I costi di spedizione e eventuali costi doganali sono a carico del compratore. 

Nel caso in cui, per contestazioni ingiustificate, i beni dovessero essere restituiti a Bertolami Fine Arts, le spese doganali e di spedizione sono a carico del cliente. 

 

7.     Condizioni di vendita

Le condizioni di vendita che regolano il rapporto tra Bertolami Fine Art e la gentile clientela che prenderà parte alle aste sono pubblicate in ogni catalogo. Poiché esse si intendono automaticamente accettate dal momento della partecipazione all’asta, si prega di leggerle con attenzione.

In caso di discordanza tra la versione delle condizioni di vendita pubblicata su catalogo cartaceo e quella pubblicata su catalogo online, prevale la versione online. 

 

8.     Pubblicazione dei risultati d’asta 

L’elenco delle aggiudicazioni sarà pubblicato da Bertolami Fine Arts sul proprio sito, www.bertolamifineart.com, a soli fini informativi, entro dieci giorni dalla chiusura dell’asta. 

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