Asta N. 618 - CTMP Design

Desch Milo, How does a volume emerge from a flat surface while minimising the industrial shaping and assembly processes specific to the material used? The sheet metal emerges as a chair thanks to 3 folds and welds. Designed as a totem, this single-material seat plays with the intrinsic qualities of stainless steel. In its most raw form, its volu- metry reveals itself between taut straight lines and flat surfaces. With its simple and elegant comfort, this chair with its primitive aspects is blued.This finishing process, used to embellish the screws of fine watchmaking, is used here on a different scale. scale. The organic gradations follow the mechanical lines of the seat, creating a complex dialogue of colour, detail and form. -- Unique Shipped from France Item liable to VAT Largh. 48 - Prof. 40 - Alt. 78 Cm 2021

Müsing-Sellés, Set no. 6 reconsiders the roles materials play in the domestic environment, plac- ing the hard and the soft in new arrange- ments and orientations. As users, materials provide cues for our interactions; softly rounded forms imply suppleness and give, while stone and glass present a stability and weight. Set no. 6 sets out to reframe typical notions of where hard and soft go, how they behave, and how they come into contact. The table is comprised of three stacked elements. Two sausages hug one another on the ground, stabilized by the curved glass panel resting on top. Set no. 6 was presented at Salone Satellite for Milan Design Week 2019. -- unique Shipped from Spain Item liable to VAT Largh. 156 - Prof. 90 - Alt. 41 Cm 2019

Carbonel Nacho, “It all started in 2013 when Andrea Galimberti asked me if I wanted to explore for NODUS the creative borders of the rug, considered as a work of art. I took the challenge up and I decided to exploit metal wires for I conceived my rugs as sculptures and metals are noble materials commonly used by sculptors.Many attempts have been made before achieving the desired results, also because each metal reacts differently to the treatments. Each material speaks its own language and has its own life. They kind of express themselves. Even metals are mutable, they move in their own way. In a way “The secret life of metals” are a paleontological proof of the evolutionary life of rugs. They are like the fossils of those ones that once were rugs.” -- Unique Shipped from Italy Item liable to VAT Largh. 150 Cm 2016

Debs Nada, A synergy between the organic markings of nature and the rational lines of geometry, the Carapace tables play with exaggerated cel- lular patterns through the craft of marquetry whereby subtle shifts in wood veneers emphasize the shell- like patterns. The grey tones of the shifted oak veneers envelope the rounded edges of the table, a chal- lenge for the craftsman to attain. For the CTMP auction, the pattern is further emphasized using black and white marquetry strips that add another layer of pattern to the intri- cate piece. -- Unique Shipped from Italy Item liable to VAT Largh. 120 - Prof. 120 - Alt. 72 Cm 2021

Debs Nada, A collaboration between Nada Debs and Zuleya by FBMI, an initiative to support and engage carpet weavers in Afghanistan, mainly focusing on women. The alternat- ing linear pattern defned within a circular shape evokes a sense of depth, transport- ing a person into another dimension of spiritual harmony, while the different tex- tures serve to awaken tactile senses. The Transcendence Carpet serves a three-fold purpose. It is a conscious collaboration to support unprivileged communities, while at its heart it maintains a distinctive Arab orientation to effcaciously enter a dawn of new materialism post-pandemic, where objects have souls, stories and meaning, all woven into the tapestry of life by a mul- titude of hands from different cultures. -- Unique Shipped from Italy Item liable to VAT Largh. 200 Cm 2021

Saldulker Nawaaz, A collectible rug, designed and manufactured by South African designer Nawaaz Saldulker, in 2019, cotton material with motif of reimagined carnival float, dimensions c. 159 cm x 107 cm. Clothing has clearly become disposable. As a result, we generate more and more textile waste. A family in the western world throws away an average of 30 kg of clothing each year. Only 15% is recycled or donated, and the rest goes directly to the landfill or is incinerated. This rug is handwoven with discarded t-shirts, which is used as its neo-material. A once-off handmade piece. The carpet is part of a small collection from a range, called ‘Things That Fascinate Me' rug series. -- Unique Shipped from Australia Item liable to VAT Largh. 159 - Prof. 107 Cm 2019

Saldulker Nawaaz, A unique reversible rug, designed and manufactured by South African designer Nawaaz Saldulker, in 2020, cotton material with wildlife motifs in migration, dimensions c. 185 cm x 130 cm. With the fact that one garbage truck of clothes is burned or sent to a landfill every second, this rug is handwoven with discarded t-shirts, which is used as its raw material. A once-off handmade piece. The carpet is part of a small collec- tion from a range, called '8 Acts Of Animal Confinement' made during quarantine in Austria while waiting for Covid-19 to subside. It was also part of D.A.C.(Designers Against Coronavirus) online exhibition curated by CaroselloLab, with concept and direction by Enrico Caputo and others. -- Unique Shipped from Austria Item liable to VAT Largh. 185 - Prof. 130 Cm 2020

Saldulker Nawaaz, Another special reversible rug, designed and manufactured by South African designer Nawaaz Saldulker, in 2020, cotton with wildlife motifs in isolation, dimensions c. 156 cm x 123 cm. The Ellen Macarthur Foundation reports that if this trend continues, over 150 million tonnes of clothing waste will clog landfills by 2050. This rug is handwoven with discarded t-shirts, which is used as its raw material. A once-off handmade piece. The carpet is part of a small collection from a range, called '8 Acts Of Animal Confinement' made during quarantine in Austria while waiting for Covid-19 to subside. It was also part of D.A.C.(Designers Against Coronavirus) online exhibition curated by CaroselloLab, with concept and direction by Enrico Caputo and others. -- Unique Shipped from Austria Item liable to VAT Largh. 156 - Prof. 123 Cm 2020

Saldulker Nawaaz, A unique reversible rug, designed and manufactured by South African designer Nawaaz Saldulker, in 2020, cotton material with flora and fauna motifs, dimensions c. 177 cm x 114 cm. With each second that passes by, a truck worth of textiles is piled into a landfill, this rug is handwoven with discarded t-shirts, which is used as its raw material. A once-off handmade piece. The carpet is part of a small collec- tion from a range, called '8 Acts Of Animal Confinement' made during quarantine in Austria while waiting for Covid-19 to subside. It was also part of D.A.C.(Designers Against Coronavirus) online exhibition curated by CaroselloLab, with concept and direction by Enrico Caputo and others. -- Unique Shipped from Austria Item liable to VAT Largh. 177 - Prof. 114 Cm 2020

NM3, NMCA is a custom coffe table, designed by NM3 for the CTMP Design Auction curated by Mr. Lawrence. The coffe table is made out of 3mm laser cut and dry assembled brass sheets, and a round 3cm thick piece of black portoro marble. NMCA is a unique piece. -- Unique Shipped from Italy Item liable to VAT Largh. 125 - Prof. 125 - Alt. 40 Cm 2021

Objects of Common Interest, An iridescent holographic coating trans- forms the familiar object into a sensational artifact with ever changing color hues and sunlight reflections. The unique surfboard is an edition of 10, handcrafted in San Francisco and all proceeds will support the mission of the Artist Residency Program of Rabbit Island Foundation in Lake Superior. -- Limited Edition Shipped from Italy Item liable to VAT Largh. 58 - Prof. 7 - Alt. 274 Cm 2021

Objects of Common Interest, Relief is one of the 10 worlds created by Object of Common Interest for the digital exhibition COME BACK TOMORROW, created for the curatorial platform PERFETTOOO! It is a project that instinctively explores emotional imagery from the designers’ archetypal vocabulary, and produces a creative act tapping into emotional investigation and intuitive perception. In COME BACK TOMORROW the colors, the screen brightness and the soundtrack change according to the selection of one of three dif- ferent variables and a number of key words that you are asked to choose, expressing your given mood, and that would finally define your own visit experience. Driven by an investigative approach, Objects of Common Interest focuses on feelings as a powerful involuntary force of human behaviors. Relief is one of these key words and one of the words of the exhibition. It will be sold as NFT (Non-Fungible Token). The exhibition and the piece have been created with the cooperation of LLOS& and Konstantinos Koudounis. -- NFT Unique Item liable to VAT 2021

Weber Philipp, The ‚Improvisations‘ collection translates and transcribes an impulsive performance that happens between the maker and the material. The extreme weight of the glass and its inherent physical properties challenge the glassblower, evoking spontane- ous and unforeseen reactions. At the same time, these sudden movements affect the shape of the piece, eventually mirroring the creative dialogue between the maker and the glass. -- Unique Shipped from Germany Item liable to VAT Largh. 35 Cm 2020

Hutten Richard, Rone, Betoo and Threeve come from a JCP Universe’s sci- ence-fiction movie, where no- tions of the past become the future and what we perceive as history has yet to be seen. Looking like little robots with an unexpected soul, they light the unseen and become characters able to transform everyday life. Table lamp with metal struc- ture in black chrome finish. Inner light source with a warm white LED bulb hidden by a white perspex plates. Floor lamp with metal structure in black chrome finish. Inner light source with a warm white LED bulb hidden by a white perspex plate. -- Unique Shipped from Italy Item liable to VAT 1) 26 x 24 x h 50 cm 2) 40 x 40 x h 160 cm 3) 44 x 38 x h 140 cm 2017

Hutten Richard, This regal gold chair is made in pure brass and designed for both style and comfort. It becomes the con- versation point in any space. It is almost surreal in appearance and an ergonomical triumph. Richard Hutten’s Wolk collection for Scarlet Splendour is inspired by beautiful, rare mammatus clouds. Translated into furniture it becomes larger than life and is a testimony to the brilliance of Dutch design. -- Limited Edition Shipped from India Item liable to VAT Largh. 122,5 - Prof. 97 - Alt. 85 Cm 2019

Baciocchi Roberto, "Maquilleuse” is a tribute to femininity. An unusual, precious object, designed by Arch. Roberto Baciocchi is made with great craftsmanship and attention to detail. A small make-up table that, in addition to functional- ity, can hide precious secrets inside. -- Unique Shipped from Italy Item liable to VAT Largh. 60 - Alt. 70 Cm 2017

Coll Roger, Roger Coll belongs to the new generation of artists working freely between contemporary art and collectible design. The artist makes tubular shapes with astounding precision that tangle in free curves. Sinuous hugs that have different points of balance and view. His works look like industry products, but they actually reveal outstanding craftsmanship; Coll is an obsessive who works incessantly on organic clay to shape it into a gentle movement, both geometric and fluid at the same time. -- Unique Shipped from Italy Item liable to VAT Largh. 30 - Prof. 45 - Alt. 40 cm 2021

Quevedo Raquel, "Souvenir from Southern Crater, Mars” emphasises the impact of digital technologies on the process of creating them as well as their sub- sequent perception and anchoring in memory. This process uses fictional associations and fantasy, using a physical-virtual disconnect in pro- cesses and forms. Under the layer of materiality, questions arise about the transience of nature on the journey that unites the concepts of fiction vs. reality, virtuality vs. physicality, true vs. false, intuition vs. facts, designer vs. artist, individual vs. community. With an aesthetic of science fiction and horror vacui, the work seem to emerge from a neighboring planet. The artwork circumscribes the viewer in a laboratory simulation, in a specu- lative environment, to the ideas and/ or related concepts of matter, organ- isms, science, that which is natural, nature, ecosystems, landscapes, ter- ritories, energy, subsistence, extrac- tion, data, assets, thereby allowing new narratives in light of the interpel- lation of that which is human, objec- tual and natural in the current social and cultural context. "Souvenir from Southern Crater, Mars” moves between the modified (ar:ficial/technological) and the orig- inal (real/cul:vated) to confuse, mix and re-situate the habitual mecha- nisms of observa:on, representa:on and appearance. Quevedo combine vivid colors with surrealis:c textures, mixing digital and physical codes with gesture in an intriguing affirma:on of life’s synergies. -- Unique Shipped from Spain Item liable to VAT Largh. 95 - Prof. 83 - Alt. 150 Cm 2019

Quevedo Raquel, "Souvenir from Southern Crater, Mars” emphasises the impact of digital technologies on the process of creating them as well as their sub- sequent perception and anchoring in memory. This process uses fictional associations and fantasy, using a physical-virtual disconnect in pro- cesses and forms. Under the layer of materiality, questions arise about the transience of nature on the journey that unites the concepts of fiction vs. reality, virtuality vs. physicality, true vs. false, intuition vs. facts, designer vs. artist, individual vs. community. With an aesthetic of science fiction and horror vacui, the work seem to emerge from a neighboring planet. The artwork circumscribes the viewer in a laboratory simulation, in a specu- lative environment, to the ideas and/ or related concepts of matter, organ- isms, science, that which is natural, nature, ecosystems, landscapes, ter- ritories, energy, subsistence, extrac- tion, data, assets, thereby allowing new narratives in light of the interpel- lation of that which is human, objec- tual and natural in the current social and cultural context. "Souvenir from Southern Crater, Mars” moves between the modified (ar:ficial/technological) and the orig- inal (real/cul:vated) to confuse, mix and re-situate the habitual mecha- nisms of observa:on, representa:on and appearance. Quevedo combine vivid colors with surrealis:c textures, mixing digital and physical codes with gesture in an intriguing affirma:on of life’s synergies. -- Unique Shipped from Spain Item liable to VAT Largh. 100 - Prof. 60 - Alt. 75 Cm 2019

Quevedo Raquel, "Souvenir from Southern Crater, Mars” emphasises the impact of digital technologies on the process of creating them as well as their sub- sequent perception and anchoring in memory. This process uses fictional associations and fantasy, using a physical-virtual disconnect in pro- cesses and forms. Under the layer of materiality, questions arise about the transience of nature on the journey that unites the concepts of fiction vs. reality, virtuality vs. physicality, true vs. false, intuition vs. facts, designer vs. artist, individual vs. community. With an aesthetic of science fiction and horror vacui, the work seem to emerge from a neighboring planet. The artwork circumscribes the viewer in a laboratory simulation, in a specu- lative environment, to the ideas and/ or related concepts of matter, organ- isms, science, that which is natural, nature, ecosystems, landscapes, ter- ritories, energy, subsistence, extrac- tion, data, assets, thereby allowing new narratives in light of the interpel- lation of that which is human, objec- tual and natural in the current social and cultural context. "Souvenir from Southern Crater, Mars” moves between the modified (ar:ficial/technological) and the orig- inal (real/cul:vated) to confuse, mix and re-situate the habitual mecha- nisms of observa:on, representa:on and appearance. Quevedo combine vivid colors with surrealis:c textures, mixing digital and physical codes with gesture in an intriguing affirma:on of life’s synergies. -- Unique Shipped from Spain Item liable to VAT Largh. 8 - Prof. 8 - Alt. 27 Cm 2019

Quevedo Raquel, "Souvenir from Southern Crater, Mars” emphasises the impact of digital technologies on the process of creating them as well as their sub- sequent perception and anchoring in memory. This process uses fictional associations and fantasy, using a physical-virtual disconnect in pro- cesses and forms. Under the layer of materiality, questions arise about the transience of nature on the journey that unites the concepts of fiction vs. reality, virtuality vs. physicality, true vs. false, intuition vs. facts, designer vs. artist, individual vs. community. With an aesthetic of science fiction and horror vacui, the work seem to emerge from a neighboring planet. The artwork circumscribes the viewer in a laboratory simulation, in a specu- lative environment, to the ideas and/ or related concepts of matter, organ- isms, science, that which is natural, nature, ecosystems, landscapes, ter- ritories, energy, subsistence, extrac- tion, data, assets, thereby allowing new narratives in light of the interpel- lation of that which is human, objec- tual and natural in the current social and cultural context. "Souvenir from Southern Crater, Mars” moves between the modified (ar:ficial/technological) and the orig- inal (real/cul:vated) to confuse, mix and re-situate the habitual mecha- nisms of observa:on, representa:on and appearance. Quevedo combine vivid colors with surrealis:c textures, mixing digital and physical codes with gesture in an intriguing affirma:on of life’s synergies. -- Unique Shipped from Spain Item liable to VAT Largh. 9 - Prof. 9 - Alt. 37 Cm 2019

Gilad Ron, Ron Gilad designed for the 2014 collection two pieces based on the same idea, that of showing the back of an oriental carpet and only a small portion of the fleece. Upsidedown n. 1 is a large white rectangle with a small piece of carpet turned upside down, while Upsidedown n. 2 seems to have one side completely folded to show its design. With these rugs, Ron Gilad once again demon- strates its ability to deal with design from a perceptually and conceptually new, playful and intriguing point of view. -- Limited Edition of 10 Shipped from Italy Item liable to VAT Largh. 200 - Prof. 300 Cm 2014

Marcelis Sabine, The 'Dawn' light series is an exploration of the rela- tionship between light and colour inspired by a time in the day where the sun, clouds and sky join to create a momentary riot of hues. This moment is suspended in a unique series of light sculptures; an installation of larger works that act as a continuation of the project 'Voie Light Series'. Playing with the relationship between light, colour, transparency and saturation, the 'Dawn' series utilizes a single white neon tube embedded in cast resin to highlight the subtle manipulation of colour and its intersection with light. -- edition #6 Shipped from Belgium Item liable to VAT Largh. 34 - Prof. 34 - Alt. 50 Cm 2015

Tritz Sarah, “Le couple au chat” is a small buffet in solid mahogany with some delicate cut and marquetry reproducing a drawing by the French artist Sarah Tritz. This specific work in relation with her own environne- ment is in-between a sculpture and a piece of furniture. It remains of course a piece of Constantin Brancusi ("Le Baiser") as well as anthropomorphic approach of Nicolas L and outsider art. -- Unique Shipped from France Item liable to VAT Largh. 68 - Prof. 40 - Alt. 110 Cm 2020