ASTA 267 - GLITTICA

ASTA 267 - GLITTICA

venerdì 7 luglio 2023 ore 12:30 (UTC +00:00)
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  • AN ITALIC CARNELIAN INTAGLIO. THEATRICAL MASK.
    Lotto 73

    AN ITALIC CARNELIAN INTAGLIO. THEATRICAL MASK.

    1st century B.C.

    10x12x2 mm

    Small theater mask facing left, engraved in the center of the field with large space around. Presence of globular elements. Slight wear marks.

    Provenance: From a private collection, France, acquired From the Galerie de Serres, Paris in the 1990s-early 2000s

  • AN HELLENISTIC CARNELIAN INTAGLIO. BUST OF A NEREID.
    Lotto 74

    AN HELLENISTIC CARNELIAN INTAGLIO. BUST OF A NEREID.

    3rd-2nd century B.C.

    12x15x3 mm

    The young figure is facing left, and characterized by a slightly open mouth, rounded chin, long and thick hair, with strong inspiration from the Hellenistic models. The face is characterized by delicate features finely engraved and mirror polished. The left shoulder is seen from behind, as in the typical movement of swimming. The figure is variously interpreted as Nereid or as Leander crossing the Dardanelles to reach the lover Eros. Slight wear marks.

    Parallels: A. Giuliano, I cammei dalla Collezione Medicea del Museo Archeologico di Firenze, pp. 216-217; L. P. B. Stefanelli, La collezione Paoletti, vol. 1, tomo 2 n. 218, tomo 3 n. 480; Le Gemme Farnese, 1994, p. 122 n. 184 (225); G.M. A. Richter, Engraved gems. Greek, Etruscan and Roman, The Metropolitan Museum of New York, n. 150; J. Boardman, Greek gems and finger rings, n. 1003.

    Provenance: U.K. private collection

  • A PTOLEMAIC CARNELIAN INTAGLIO. BUST OF YOUTH WITH PHRYGIAN CAP.
    Lotto 75

    A PTOLEMAIC CARNELIAN INTAGLIO. BUST OF YOUTH WITH PHRYGIAN CAP.

    2nd-1st century B.C.

    14,5x16x4 mm

    The male character is shown from behind, his head in profile facing left upward. He is characterized by a laureated Phrygian cap. The features of the face shown a large almond eye straight nose and semi-opened lips with proturding chin. His musculature is raised by strong shoulders covered by a cloak. The effigy can probably be identified with Paris. Chips and loss on the edge. Wear marks.

    Provenance: U.S. private collection, acquired on the art market. This lot is sold under temporary import status.

  • A FINE GREEK GARNET INTAGLIO. STANDING HERCULES.
    Lotto 76

    A FINE GREEK GARNET INTAGLIO. STANDING HERCULES.

    2nd century B.C.

    13x19,5x5 mm

    In a contrapposto posture, the head facing right, the hero is standing naked, holding the club and the lion skin with the right arm and rising his left arm outwards. Groundline. Use of globular elements. Very fine anatomical details. Mirror polished. Beautiful colour of the stone. Very convex gem.Wear marks.

    Provenance: Ex Sangiorgi collection, acquired in the late 19th-early 20th century ; Ex Christie's NY, 06/12/2007, lot 319. This lot is sold under temporary import status.

  • A LARGE GREEK PTOLEMAIC HELLENISTIC AMETHYST INTAGLIO. CORNUCOPIA.
    Lotto 77

    A LARGE GREEK PTOLEMAIC HELLENISTIC AMETHYST INTAGLIO. CORNUCOPIA.

    3rd - 2nd century B.C.

    14 x 19 x 4 mm

    Beautiful cornucopia full of details and decorations, typical of the Ptolemaic Greek taste. The cornucopia is radiate and is wrapped in a ribbon that hovers in the air. The tip is particularly elaborate expressing opulence. The subject is engraved on an extraordinary large elongated cabochon amethyst, characterized by a splendid brightness and vivid color. Slight wear marks.

    For a close parallel, see the Greek ptolemaic kingdom coinage: Ptolemy III Euergetes. Gold Mnaieion, 246-222 B.C., Alexandria, under Ptolemy IV. Bust of the deified Ptolemy III wearing diadem and aegis; reverse: radiate and filleted cornucopia with greek inscription. Svoronos 1117. This particular type was struck by Ptolemy IV Philopator to commemorate his deified father, Ptolemy III Euergetes, as part of the gold donative paid to his troops during the fourth Syrian War (219-217 BC).

    Provenance: U.K collection acquired on the art market, 1990s-2000s.

  • A ROMAN CHALCEDONY INTAGLIO. CHIMERA.
    Lotto 78

    A ROMAN CHALCEDONY INTAGLIO. CHIMERA.

    1st century B.C.

    11x14x3 mm

    The hybrid creature is composed of lion body, goat protome on back, snake tail. The beast walks by raising its right paw upwards. Groundline. Wear marks and minimal chips to the edge. Beautiful choice of the stone.

    Provenance: U.K private collection

  • A LARGE ROMAN GOLD RING SET WITH A CARNELIAN INTAGLIO. ATHENA WITH HER WEAPONS AND A SNAKE.
    Lotto 79

    A LARGE ROMAN GOLD RING SET WITH A CARNELIAN INTAGLIO. ATHENA WITH HER WEAPONS AND A SNAKE.

    2nd-1st century B.C.

    Stone 13x18 mm; int. size 16x20 mm; 7,49 gr

    With rounded hoop expanding upwards onto an oval bezel with a carnelian intaglio; the helmeted goddess is standing left, her left arm resting on a column, the hand holding the spear. Her right hand raised mastering the snake. Behind the column, her shield. Groundline. The presence of the snake linked to the goddess can be referrable to Cecrope; chtonian deity adorned in Athens, hypostasis of the sacred animal born from the ground. The snake is considered as the mythical hero and first king of Athens. The snake is Athena's sacred animal, with reference to the Winsdom, the Knowledge and the prophecies. The scene is inspired by a classical greek relief. Mirror polishing. Wear marks.

    Provenance: U.K. private collection

  • A ROMAN GOLD DOUBLE SNAKES RING.
    Lotto 80

    A ROMAN GOLD DOUBLE SNAKES RING.

    1st century B.C.

    Int. diam. 19 mm; 7,82 gr

    Composed of two coiling snakes, their heads turned out on either side, their bodies forming the hoop, at the centre a gold spherical dot. Incised details on the heads and the bodies. Wear marks.

    For a similar typology see: F.H. Marshall, Catalogue of Finger Rings, n° 938

    Provenance: From a private collection, France acquired on the art market in the early 2000s

  • A ROMAN GARNET INTAGLIO SET IN A LATER GOLD RING. NIKE.
    Lotto 81

    A ROMAN GARNET INTAGLIO SET IN A LATER GOLD RING. NIKE.

    1st century B.C. - 1st century A.D.

    Stone 11x13 mm; Int. Size 16,5x17,5 mm; 5,25 gr

    The winged Victory is facing left, holding a laurel wreath and a palm branch. Use of globular elements. A lovely deep red cabochon garnet set in a Victorian gold ring. Wear marks.

    Provenance: U.S. private collection, acquired on the art market. This lot is sold under temporary import status.

  • A FINE ROMAN GOLD RING SET WITH A CARNELIAN INTAGLIO. EROS PRISONER.
    Lotto 82

    A FINE ROMAN GOLD RING SET WITH A CARNELIAN INTAGLIO. EROS PRISONER.

    1st century B.C. - 1st century A.D.

    Stone 10x13 mm; in. Size 12x14 mm; 6,18 gr

    Kindred type. Hoop round without and angular within, broadening upwards; the shoulders project strongly. The bezel set with a carnelian intaglio. Eros depicted in slight three-quarters with wide spread wings and a ribbon, tied to a column. Horizontal crack on the stone. Allegory of the prisoner of Love. Wear marks.

    Provenance: U.K. private collection

  • A ROMAN AGATE INTAGLIO SET IN A GOLD RING. HEAD OF APOLLO.
    Lotto 83

    A ROMAN AGATE INTAGLIO SET IN A GOLD RING. HEAD OF APOLLO.

    1st century B.C. - 1st century A.D.

    Stone 9x12 mm; int. diam 15 mm; 4,44 gr

    With rounded hoop boardering upwards onto an oval bezel set with an agate intaglio. Head of Apollo facing left. He is characterized by young features, curly locks ornated with a laurel wreath. Letters in the field. Wear marks.

    Provenance: U.K. private collection

  • A LARGE ROMAN ITALIC CARNELIAN INTAGLIO SET IN A GOLD RING. OMPHALE.
    Lotto 84

    A LARGE ROMAN ITALIC CARNELIAN INTAGLIO SET IN A GOLD RING. OMPHALE.

    2nd - 1st century B.C.

    Stone 11x21 mm; int. diam 18 mm; 8,33 gr

    With a massive rounded hoop surmounted by an elongated oval bezel set with a beautiful agate intaglio depicting Omphale. The female character is walking naked facing right. She wears on her shoulders Hercules lion skin and holds on a left shoulder his mace. Use of globular elements for anatomical details. Groundline. Wear marks.

    Provenance: U.K. private collection

  • A FINE LATE ROMAN REPUBLICAN SARD INTAGLIO SET IN A GOLD RING. ATTIS WITH TWO SPEARS.
    Lotto 85

    A FINE LATE ROMAN REPUBLICAN SARD INTAGLIO SET IN A GOLD RING. ATTIS WITH TWO SPEARS.

    1st century B.C.

    Stone diam. 15 mm; int. Size 18x20 mm; 5,35 gr

    A male character advances to the right, walking on tiptoe. With his left hand he holds two spears, while bringing his right hand towards his face. He wears a cloak on his back and a Phrygian cap on his head, which is characterized by small curls. Use of globular elements. The subject is to be identified. The attributes may be referrable to Attis, while the pose and gait to a theater actor in the act of impersonating a mythological hero. Rare. Wear marks.

    Provenance: U.K. private collection

  • A ROMAN AGATE INTAGLIO SET IN A GOLD RING. THEATRICAL MASK.
    Lotto 86

    A ROMAN AGATE INTAGLIO SET IN A GOLD RING. THEATRICAL MASK.

    1st century B.C. - 1st century A.D.

    Stone 10x13 mm; int. size 17x18 mm; 3,92 gr

    The hoop expanding upwards in two sections and surmounting an oval grooved box-setting with a two-layered agate intaglio. Frontal theatrical mask. The face characterized by strong features, a long beard and hair and bulging eyes engraved with a circular line. Interesting type. Wear marks.

    Provenance: U.K. private collection

  • AN ITALIC CARNELIAN INTAGLIO SET IN A MODERN BICOLOR GOLD RING. POMEGRENATE.
    Lotto 87

    AN ITALIC CARNELIAN INTAGLIO SET IN A MODERN BICOLOR GOLD RING. POMEGRENATE.

    2nd - 1st century B.C.

    Stone 5,5x6,5 mm; int. diam 18 mm; 9,92 gr.

    A stylized pomegrenate, depicted with a globular element and engraved details. Wear marks.

    Provenance: European collection, acquired on the market, early 2000's.

  • AN ITALIC BANDED AGATE SCARAB INTAGLIO. HERCULES KILLING THE STYMPHALIAN BIRDS.
    Lotto 88

    AN ITALIC BANDED AGATE SCARAB INTAGLIO. HERCULES KILLING THE STYMPHALIAN BIRDS.

    2nd century B.C.

    Scarab 15 x 19 x 11 mm; 7,6 grs

    With stylized design in the back, the flat is engraved with the mythical hero bowing at two birds of the Stymphalian lake. Groundline. Dotted frame. Edge slightly chipped. Nice mirror polishing and wear marks. The scarab pierced lenghtwise is mounted on a 19th century gold swivel seal with suspension hole.

    P. Zazoff, Etruskische Skarabaen, n. 216 ss for the style and 278 for the subject.

    Provenance: From the collection of an European gentleman, acquired on the art market

  • A LARGE ROMAN ITALIC BANDED AGATE INTAGLIO. ULYSSES ON THE BOAT.
    Lotto 89

    A LARGE ROMAN ITALIC BANDED AGATE INTAGLIO. ULYSSES ON THE BOAT.

    2nd - 1st century B.C.

    16 x 19 x 4 mm

    Ulysses bond to the mast of his ship with a monster prow and aplustre, with five rowers and a steersman. Three Sirenes stand on the top sail. It depicts the scene from Homer's Odyssey in which Odysseus (Odysseus) resists the haunting song of the sirens by being tied up by the crew of his ship, while they are ordered to plug their ears so as not to hear them. The mythical scene is masterfully depicted here in a well composed and detailed manner. Large stone. Use of globular elements. Interesting use of the white band following the composition of the scene. Great subject. Wear marks.

    For Parallels: J. Boardman, J. Kagan, C. Wagner, Natter's Museum Britannicum, p. 201 n. 478: L. P. B. Stefanelli, La Collezione Paoletti, vol.I, tomo II n. 97 ( carnelian intaglio, Berlin, Staatliche Museum, coll. Stosch, Furtwangler 1896 p. 255 n. 6880. Impronte Cades 31, III F, 22. Tassie 9550.

    Provenance: U.K collection acquired on the art market, 1990s-2000s.

  • A LATE ITALIC BANDED AGATE INTAGLIO. WARRIOR.
    Lotto 90

    A LATE ITALIC BANDED AGATE INTAGLIO. WARRIOR.

    2nd - 1st century B.C.

    7 x 10 x 2 mm

    Shown kneeled to the right with crested helmet and shield in the act of making a devotion (probably). Chip on the edge. Military votive scene. Wear marks.

    Provenance: From the collection of an European gentleman, acquired on the art market

  • AN ITALIC AGATE INTAGLIO. RUDDER AND CLUB.
    Lotto 91

    AN ITALIC AGATE INTAGLIO. RUDDER AND CLUB.

    2nd century B.C.

    8 x 9 x 1 mm

    On the right the rudder, on the left the club. Use of globular elements. Wear marks.

    Provenance: From the collection of an European gentleman, acquired on the art market

  • A ROMAN BANDED AGATE INTAGLIO. DIOSCURI EMBLEMA.
    Lotto 92

    A ROMAN BANDED AGATE INTAGLIO. DIOSCURI EMBLEMA.

    1st century B.C. - 1st century A.D.

    15 x 19 x 3 mm

    In the center a caduceus, on the sides two pileus caps with a star above them, referring to the Dioscuri. Beautiful emblema, elegant in composition and refined in execution. Use of globular elements. Fine variety of the stone. Wear marks.

    Provenance: U.K. private collection acquired in the British art market.

  • AN ITALIC CARNELIAN INTAGLIO. OMPHALE WITH INSCRIPTION.
    Lotto 93

    AN ITALIC CARNELIAN INTAGLIO. OMPHALE WITH INSCRIPTION.

    2nd - 1st century B.C.

    10x14x3 mm

    The female figure is standing left, naked and partially covered with Hercules lion skin. His mace behind her shoulders. In the field, an inscription in latin letters (to be identified). Wear marks.

    Provenance: The Gustave Mustaki collection, exported from Egypt under licence c.1950 and gifted to Elsa MacLellan, his daughter, thence by descent.

  • A ROMAN BURNT AGATE INTAGLIO. FORTUNA TYCHE.
    Lotto 94

    A ROMAN BURNT AGATE INTAGLIO. FORTUNA TYCHE.

    1st century B.C. - 1st century A.D.

    7x13x2 mm

    The standing goddess is facing right. She wears a modius and dressed with a peplos and an himation. On her right arm, she holds the cornucopia, and the rudder on her left hand. Groundline. Use of globular elements. Attractive color of the burnt stone.

    Provenance: U.K private collection

  • A FINE ROMAN AGATE INTAGLIO. APOLLO.
    Lotto 95

    A FINE ROMAN AGATE INTAGLIO. APOLLO.

    1st century B.C. - 1st century A.D.

    9x14x7 mm

    The deity leans against a column, with the body in three-quarters view and the head in profile to the right. With the left hand he is holding a laurel branch. Groundline. Slight wear marks.

    Provenance: U.K private collection

  • AN ITALIC BANDED AGATE INTAGLIO. BIRD.
    Lotto 96

    AN ITALIC BANDED AGATE INTAGLIO. BIRD.

    2nd - 1st century B.C.

    8x11x2 mm

    The bird is facing left, with a small worm in its beak. Globular elements. Groundline. Wear marks.

    Provenance: U.K private collection

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ASTA 267 - GLITTICA


Sessioni

  • 7 luglio 2023 ore 12:30 ASTA 267 - GLITTICA (1 - 471)

Condizioni di vendita

Scarica il documento di Condizioni di Vendita

Altre Informazioni

INFORMAZIONI SULL’ASTA 267


1.     Modalità di partecipazione 

L’asta sarà battuta il 7 luglio 2023 a partire dalle ore 12:30 BST (13:30 CEST) al seguente indirizzo: 

13 Hanover Square, Mayfair

London W1S 1HN


Sono previste le seguenti modalità di partecipazione: di persona presso i locali in cui l’asta sarà battuta, telefonica, online previa registrazione sul nostro sito www.bertolamifineart.com o sui portali partner (vedi elenco sotto riportato), tramite offerta scritta fatta pervenire entro le 9:00 BST (10:00 CEST) di venerdì 7 luglio.

a.     Partecipazione in sala

I clienti non conosciuti e che non si fossero già registrati dovranno essere provvisti di un valido documento di identità.

b.    Partecipazione telefonica 

É possibile fare le proprie offerte durante l’asta tramite telefono guidati da un nostro operatore. Per accedere a questa modalità di partecipazione sarà necessario prenotarsi entro le 9:00 BST (10:00 CEST) di venerdì 7 luglio specificando i lotti per i quali si intende entrare in gara e un recapito telefonico. I clienti così prenotati saranno chiamati al numero di telefono da loro indicato alcuni lotti prima di quelli per cui avranno manifestato interesse

La prenotazione per la partecipazione telefonica ha il valore di un’offerta scritta alla base d’asta indicata in catalogo.  

Per prenotare la partecipazione telefonica compilare l’apposito modulo di offerta 

(Per info:  

+39 32609795 info@bertolamifineart.com - amministrazione@bertolamifineart.com) 


c.     Partecipazione online attraverso il nostro sito o i portali partner 

È possibile fare le proprie offerte durante l’asta registrandosi sul nostro sito www.bertolamifineart.com oppure sui seguenti portali partner:

Arsvalue (www.arsvalue.com)

Biddr (www.biddr.com)

Drouot (www.drouot.com)

Emax.bid (www.emax.bid.com)

Invaluable (www.invaluable.com)

LiveAuctioneers (www.liveauctioneers.com)

Sixbid (www.sixbid.com)

The Saleroom (www.the-saleroom.com)

 

d.    Partecipazione tramite offerta scritta 

È infine possibile formulare le proprie offerte per iscritto compilando l’apposito modulo di offerta per procura o anche tramite testo libero. Le offerte scritte dovranno essere ricevute da Bertolami Fine Arts entro le ore 9:00 BST (10:00 CEST) di venerdì 7 luglio e potranno essere trasmesse tramite e-mail (amministrazione@bertolamifineart.com – info@bertolamifineart.com),  

per posta o consegnate presso i nostri uffici di Piazza Lovatelli 1 – 00186 Roma.

L’offerta scritta ha il valore di autorizzazione al banditore ad effettuare offerte per conto del firmatario. 

 

2. Esposizione

I lotti saranno visibili dal 4 al 6 luglio 2023 dalle 9:00 alle 17:30 BST nella sede in cui avrà luogo l’asta:

13 Hanover Square, Mayfair

London W1S 1HN 


3.     Offerte pre asta

 Dalla data di pubblicazione del catalogo online sino alle ore 9:00 BST (10:00 CEST) di venerdì 7 luglio sarà possibile:

a. cominciare ad effettuare offerte sul sito www.bertolamifineart.com o sui portali partner come elencati al punto c del paragrafo 1

b. inviare le offerte scritte di cui al punto d del paragrafo 1

Nel caso di:

a. unica offerta pre asta su un lotto

e in assenza di offerte di rilancio durante l’asta, il lotto sarà aggiudicato alla base d’asta anche ove l’unica offerta pervenuta fosse di importo superiore (l’importo dell’offerta pre asta indica infatti l’offerta massima che l’offerente è disposto ad effettuare) 

Esempio: base d’asta £ 1.000 – Unica offerta pre-asta £ 1.500 – Aggiudicazione a £ 1.000

b. offerte pre asta multiple dello stesso importo su uno stesso lotto 

e in assenza di offerte di rilancio durante l’asta, il lotto sarà aggiudicato all’autore dell’offerta con data anteriore 

c. offerte pre asta multiple di importi diversi su un medesimo lotto

e in assenza di offerte di rilancio durante l’asta, il lotto sarà aggiudicato all’autore dell’offerta più alta a un prezzo di aggiudicazione calcolato aggiungendo all’importo dell’offerta immediatamente inferiore un incremento prestabilito nella tabella pubblicata in calce (Tabella A)

Esempio: offerta cliente A £ 1.270, offerta cliente B £ 1800. Vince il cliente B non al prezzo di aggiudicazione di £ 1.800 ma di £ 1.370. Viene cioè applicato all’importo dell’offerta immediatamente inferiore l’incremento automatico di £ 100 previsto dalla tabella quando le offerte sono comprese nello scaglione £ 1.000-1.999. 

 

4.     Modalità di pagamento

Gli acquirenti dei lotti vincenti potranno scegliere tra le seguenti modalità di pagamento:

- assegno bancario o circolare non trasferibile intestato a Bertolami Fine Arts LTD (nel caso di pagamenti effettuati tramite assegni esteri aggiungere £ 10 all’importo della fattura);

- carta di credito;

- Paypal;

- Bonifico bancario a favore di Bertolami Fine Arts LTD.

Coordinate bancarie per pagamenti in Sterline britanniche (GBP):

Barclays, IBAN: GB68 BUKB 2057 7690 1999 66 – Account Nr. 90199966 - SWIFT/BIC: BUKBGB22

Coordinate bancarie per pagamenti in Euro:

Barclays, IBAN: GB69 BUKB 2057 7642 5454 00– Account Nr. 42545400 - SWIFT/BIC: BUKBGB22

(nel caso di pagamenti effettuati tramite bonifico extra-europeo aggiungere £ 10 all’importo della fattura)

Nota bene:

le fatture pagate tramite assegno, contanti o bonifico bancario sono esenti dal pagamento delle tasse amministrative del 3,5%

 

5. Diritti d’asta

L’acquirente corrisponderà a Bertolami Fine Arts una commissione d’asta pari al 27% del prezzo di aggiudicazione di ciascun lotto. 

Sui lotti acquistati tramite partecipazione on line sul sito www.bertolamifineart.com o sui portali partner si applicherà un’ulteriore commissione così quantificata:

www.bertolamifineart.com +1,5% del prezzo di aggiudicazione

Drouot +3% del prezzo di aggiudicazione

Invaluable +5% del prezzo di aggiudicazione

LiveAuctioneers +5% del prezzo di aggiudicazione

The Saleroom +3% del prezzo di aggiudicazione 

 

6.     Costi ulteriori

I costi di spedizione e eventuali costi doganali sono a carico del compratore. 

Nel caso in cui, per contestazioni ingiustificate, i beni dovessero essere restituiti a Bertolami Fine Arts, le spese doganali e di spedizione sono a carico del cliente. 

 

7.     Condizioni di vendita

Le condizioni di vendita che regolano il rapporto tra Bertolami Fine Art e la gentile clientela che prenderà parte alle aste sono pubblicate in ogni catalogo. Poiché esse si intendono automaticamente accettate dal momento della partecipazione all’asta, si prega di leggerle con attenzione.

In caso di discordanza tra la versione delle condizioni di vendita pubblicata su catalogo cartaceo e quella pubblicata su catalogo online, prevale la versione online. 

 

8.     Pubblicazione dei risultati d’asta 

L’elenco delle aggiudicazioni sarà pubblicato da Bertolami Fine Arts sul proprio sito, www.bertolamifineart.com, a soli fini informativi, entro dieci giorni dalla chiusura dell’asta. 

Rilanci

  • da 0 a 100 rilancio di 5
  • da 100 a 200 rilancio di 10
  • da 200 a 500 rilancio di 20
  • da 500 a 1000 rilancio di 50
  • da 1000 a 2000 rilancio di 100
  • da 2000 a 5000 rilancio di 200
  • da 5000 a 10000 rilancio di 500
  • da 10000 a 20000 rilancio di 1000
  • da 20000 a 50000 rilancio di 2000
  • da 50000 in avanti rilancio di 5000